Artistic creation is a cognitive endeavor, with primitive art embodying early human thought and forming the foundation of folk art. Chinese folk art, particularly paper-cutting, preserves primitive art's essence due to cultural originality and regional distinctiveness. This paper examines how primitive thinking shapes Chinese folk paper-cutting. The "direct image" aspect of primitive thinking enables transcendent imagery, inspired by nature and employing techniques like transparent perspective and decorative symbolism. The "interosmotic" characteristic fosters creative overlap in designs, seen in composite shapes like the "Chickenhead Fish," and imbues works with anthropomorphic traits. The belief that "all things have spirituality" integrates themes of worship and totemic symbolism, such as the "Tree of Life" and dragon patterns, reflecting cosmic harmony. Additionally, the yin-yang-inspired "binary opposites" principle creates balance and dynamism through contrasting techniques like "yin shear" and "yang shear." Lastly, "group consciousness" is evident in recurring cultural motifs like suns and fish, symbolizing collective memory while enabling creative variation. Primitive thinking reveals the vitality and cultural depth of Chinese folk paper-cutting.
목차
Abstract 1. INTRODUCTION 2. EXPERIMENTS 3. RESULTS 4. DISCUSSION 4.1 The influence of the original thinking &quat;direct image&quat; on the Chinese folk paper-cutting modeling. 4.2 The influence of the original thinking &quat;interosmotic&quat; characteristics on the Chinese folk paper-cutting modeling. 4.3 The influence of the original thinking &quat;all things have spirituality&quat; on the Chinese folk paper-cutting modeling. 4.4 Influence of the characteristics of &quat;binary opposites&quat; of primitive thinking on Chinese folk paper-cutting modeling. 4.5 Influence of primitive thinking &quat;group consciousness representation&quat; on Chinese folk paper-cutting modeling. 5. CONCLUSION REFERENCES
키워드
primitive art and Chinese paper cuttingpaper cutting modelingcomparative research
저자
Wang Su [ Ph.D. program., Dept. of Global Fine Art, Kyonggi Univ., Korea ]
Corresponding Author
국제문화기술진흥원 [The International Promotion Agency of Culture Technology]
설립연도
2009
분야
공학>공학일반
소개
본 진흥원은 문화기술(Culture Technology) 관련 산·학·연·관으로 구성된 비영리 단체이다. 문화기술(CT)은 정보통신기술(ICT), 문화적 사고 기반의 예술, 인문학, 디자인, 사회과학기술이 접목된 신융합기술(New Convergence Technology, NCT)로 정의한다. 인간의 삶의 질을 향상시키고, 진보된 방향으로 변화시키고, 문화기술 관련 분야의 학술 및 기술의 발전과 진흥에 공헌하기 위하여, 제3조의 필요한 사업을 행함을 그 목적으로 한다.
간행물
간행물명
International Journal of Advanced Culture Technology(IJACT)
간기
계간
pISSN
2288-7202
eISSN
2288-7318
수록기간
2013~2025
등재여부
KCI 등재
십진분류
KDC 600DDC 700
이 권호 내 다른 논문 / International Journal of Advanced Culture Technology(IJACT) Volume 12 Number 4