Earticle

초록

영어

This study attempted to provide data on the creation and development of upstyle by examining the hair shapes in Goryeo Buddhist paintings and creatively designing them. For this study, first, the concept of upstyle and upstyle design elements, such as shape, texture, color, and upstyle techniques, were investigated through the Internet, literature books, and previous studies, and then these were identified and organized. Second, after examining the concept of Goryeo Buddhist paintings and their tanghwa, murals, and hardening, the status and head shape of the characters appearing in the painting were analyzed and organized, focusing on Gwangyeongsangdo, Gwangyeong 16-gwanbyeonsangdo, Mireuksaenggyeongbyeonsangdo, Suwolgwaneumdo, and Jijangsiwangdo. Third, among the hair shapes shown in the painting, Chuma-gye, Jocheon-gye, Ssanghwan-gye, Queen's head, and Ssangsu-gye were selected, which can represent the Goryeo Dynasty. Fourth, 5 creative upstyle works were produced by mixing upstyle design techniques with the selected classical hair. Fifth, the formability that appears in 5 creative upstyle works was analyzed. As a result of the study, Chuma-gye designed the frontal part in the shape of a ring and a flower shape and the occipital part in a wave shape. Gogye designed the frontal part in the form of a large triangular composition and expressed the occipital part in the form of a round roll. Cho Cheon-gye designed the front part in a fan shape and then put an S wave on the hair of the back part to make it flow down to the shoulder. Ssanghwan-gye designed the front part in the shape of two horns and expressed the back part in the shape of a butterfly. The queen's head designed the front part to have an S-shaped diagonal line and then expressed the back part in a turtleneck shape. Ssangsu-gye divided the hair into two equal parts and tied each behind the ears to design the hair in a circular shape, and expressed the remaining tip hair in a fountain shape. Therefore, it is expected that these results can be used as good data for the development of creative upstyle design.

중국어

本研究旨在探讨高丽佛画中所呈现的头部形态, 并通过创意设计, 提供关于发型创作与开发的 参考资料. 为进行此项研究, 首先通过互联网, 文献书籍和先行研究等渠道, 了解并整理了关于 盘发(Upstyle) 概念以及盘发设计要素中的形态, 质感, 色彩, 盘发技巧等内容. 其次, 考察了 高丽佛画的概念及唐画, 壁画, 经画等, 并重点分析了佛画中的《观经变相图》观经十六观变 相图 《弥勒下生经变相图》《水月观音图》《地藏十王图》等, 分析并整理出画中人物的 身份和头部形态. 第三, 从画中所表现的头部形态中, 选取了能代表高丽时代的垂髦系, 朝天 系, 双环系, 王妃头和双髻系. 第四,将选定的传统发型与盘发设计技巧相结合, 创作出五款创 意盘发作品. 第五, 对创作的五款盘发作品中表现出的造型性进行了分析. 研究结果表明, 垂 髦系在前额部分设计为环形和花形, 在后脑部分设计为波浪形. 高髻将前额部分设计为大型三 角构图, 后脑部分表现为圆形卷发. 朝天系将前额部分设计为扇形, 并在后脑的头发中加入S 形波浪, 让发丝垂落在肩部. 双环系将前额部分设计为两个角状, 并将后脑部分表现为蝴蝶形状. 王妃头将前额部分设计为呈对角线的S形, 并将后脑部分表现为髻形. 双髻系将头发分为两部分, 在耳后分别绑住, 将头发设计为圆形, 剩余发尾表现为喷泉形状. 因此, 这些研究结果有望成为 创意盘发设计开发的有益参考资料.

목차

Abstract
I. 서론
II. 이론적 배경
1. 업스타일의 의의
2. 고려불화(佛畵 )
III. 연구 방법
1. 연구설계
2. 재현머리 선정과 형태적 특징
IV. 고려불화 속 머리형태를 모티브로 한 창작업스타일 작품 제작
1. 업스타일 제작
2. 고려불화 속 머리형태를 모티브로 한 창작업스타일 작품의 조형성 연구
V. 결론
참고문헌
中文摘要

키워드

저자

• 김다홍 [ Kim Da-Hong | 영산대학교 미용예술학과 겸임교수 ] Corresponding Author
• 황윤옥 [ Hwang Yun-Og | 영산대학교 미용예술학과 겸임교수 ]

참고문헌

발행기관

간행물

표지보기 관심저널 등록

• 간행물명

  국제보건미용학회지 [Journal of Health and Beauty]

• 간기

  계간

• pISSN

  2005-369X

• eISSN

  2765-1347

• 수록기간

  2007~2026

• 등재여부

  KCI 등재

• 십진분류

  KDC 593 DDC 646