Earticle

초록

영어

The purpose of this study is to select and reproduce the classical hair representing the Goryeo Dynasty after examining the hair shape that appeared in the Goryeo Dynasty Buddhist paintings. Therefore, the method of this study was, first, to investigate the type, content, and concept of Buddhist paintings. Second, after reviewing the entire picture of Buddhist paintings, the stylistic characteristics and the hair shape shown in the Buddhist paintings were divided and organized. Third, by examining the hair shapes in the Buddhist paintings, Chuma-gye, Gocheong-gye, Jocheon-gye, Ssanghwan-gye, Queen's head, and Ssangsu-gye were selected and expressed as illustrations, and then ornaments decorated on the head were produced and reproduced using them in classical hair. As a result of the work, Chuma-gye expressed the shape of a gache in the form of a wind. Gogye designed the gache in a mountain shape, decorated it with jewelry, and expressed it as an aristocratic image. Jocheon-gye designed the gache in a trapezoidal shape, decorated it with jewelry, and expressed it with a colorful image. Ssanghwan-gye designed the gache with a reaping curve, decorated it with Jangsi-gu, and expressed it as an image of a fairy. The queen's head made the gache at an appropriate height and then decorated it with jewelry to express an elegant image. Ssangsu-gye expressed a unique image by tying the hair on both sides of a four to make an elliptical system, and then decorating it with jewelry. As a result, I believe that the unique head shapes depicted in Goryeo Buddha paintings will serve as valuable data for the study of classical hair design. Therefore, it is hoped that these research results will be applied to the field of classical hair education so that the classical hair can be further developed.

중국어

本研究旨在于了解高丽时代佛画中出现的发型，选定并再现代表高丽时代的古典发型。本文研究方法为如下：首先、了解佛画的种类、内容及概念。第二、对佛画的全体照片进行考察，将样式特征和佛画中展现的发型进行区分整理。第三、考察佛画中的发型，选定代表高丽时代的坠马髻、高髻、朝天髻、双环髻、王妃头、双垂髻，用插图表现并制作装饰在头上的头饰，然后将其运用于古典发型进行再现。作品呈现结果为如下，坠马髻把加髢表现为随风飘动的形象；高髻将加髢设计成山形后，用首饰装饰表现为贵族形象。朝天髻将加髢设计成梯形后，用首饰装饰，展现出华丽形象；双环髻将加髢设计成巨头味型曲线后，用首饰装饰，以仙女的形象表现出来；王妃头将加髢塑造成适当的高度后，用首饰装饰，展现优雅的形象；双垂髻将头发分别绑在脖颈两侧，制作成椭圆形髻后，用首饰装饰，展现出独特的形象。综上，高丽佛画中的发型对古典发型设计提供了研究价值，期待上述研究成果能够应用于古典发型教育领域，促使古典发型设计得到进一步发展。

목차

Abstract
I. 서론
II. 이론적 배경
1. 고려시대의 불화
2. 고려불화의 종류
3. 고려불화(高麗佛畵)에 나타난 고전머리
4. 고려불화에 나타난 머리형태와 신분
5. 고전머리
III. 연구 방법
1. 연구설계
IV. 고려불화의 고전머리를 모티브로 한 업스타일작품 제작
1. 업스타일 제작
2. 불화 속 머리형태을 모티브로 한 고전머리 재현작품의 조형성 연구
V. 결론 및 제언
1. 결론
2. 제한점 및 제언
참고문헌
中文摘要

키워드

저자

• 김다홍 [ Da Hong Kim | 영산대학교 미용예술학과 대학원생 ]
• 도주연 [ Ju-Yeon Do | 영산대학교 미용예술학과 교수 ] Corresponding Author

참고문헌

발행기관

간행물

표지보기 관심저널 등록

• 간행물명

  국제보건미용학회지 [Journal of Health and Beauty]

• 간기

  계간

• pISSN

  2005-369X

• eISSN

  2765-1347

• 수록기간

  2007~2026

• 등재여부

  KCI 등재

• 십진분류

  KDC 593 DDC 646