Earticle

초록

영어

In the late 19th century, the appearance of Francis Jammes was a refreshing shock to French poetry. The landscape he drew from his native country was particularly effective in raising the sensitivity of nature to readers. This paper examines his life and ways of expressing or presenting nature in detail to shed light on this phenomenon. He was a rustic poet, deeply attached to the earth and never left his home country. Nature was for him life itself, more than a place to live. and an inexhaustible source of inspiration. He presented the nature felt and lived with simplicity and transparency. His sense that instantly captures nature's details is profound and vivid. The Béarnese landscape thus represented was not a nature developed by intelligence or feeling, nor was it transformed by imagination. By remaining true to his senses, by abandoning literary formulae and anthropocentric perspectives, he was able to bring nature into its primitive form. Thus, the world of things as such expressed or presented itself, and the relationship between humans and things is re-balanced. Things retain their identity and become existing entities in the same way as men. In this regard, it can be said that Jammes rehabilitated nature that had quickly slipped along the path of idealization and abstraction after Romanticism. In other words, nature, which has been transformed into a colony of the mind, is liberated. At the beginning of the 20th century, this poetic, warm and fresh naturalism enabled him to have a great influence on a number of young writers.

목차

I. 들어가는 말
II. 토박이 또는 자연인
III. 동물적 감각으로 그린 크로키
IV. 잠의 존재론 또는 삶의 현존성
V. 맺는말
인용문헌

키워드

저자

• 김용민 [ Yong Min Kim | 인천대학교 ]

참고문헌

발행기관

간행물

표지보기 관심저널 등록

• 간행물명

  인문언어 [LINGUA HUMANITATIS]

• 간기

  반년간

• pISSN

  1598-2130

• 수록기간

  2000~2026

• 등재여부

  KCI 등재

• 십진분류

  KDC 705 DDC 405