Earticle

초록

영어

The purpose of this paper is to extract the characteristics of Ikku’s work, which was able to continue to use the old world of “folktales” in the Gokan. First of all, I analyzed the text and pictures of “Mukasibanasi-momotaro” which brought Momotaro to the world, and came up with the following observations. The first, the nature of Ikku’s work, “Mukasibanasi-momotaro” was different from the general “folktales Group” Gokan. In other words, it does not use the general creative method of adding meat to the outline of an old tale as a framework. In the descriptive part and pictures, the framework is used as it is without any fleshing out. Then, new content is incorporated into the marginal notes dialogue, which occupies about nine times the volume of the descriptive part. The second, the rhetoric of writing the characters’ banter in colloquial style is Ikku’s specialty. The technique of making people laugh by mixing obscene content into such banter was demonstrated in the marginal notes of “Mukashibanashi momotaro”. The third, the marginal notes of “Mukashibanashi momotaro” deliberately perverts the crude plot, which is recorded in the descriptive parts and pictures. Such new perspectives were to be tied to the dirty jokes. Sexual jokes are meant to provoke laughter. The fact that this work is characterized by its superiority in terms of its comicality compared to other works of the “folktales Group” Gokan by other authors that capture the same world is a result of such obscene stories.

목차

1. 緒言
2. 先行研究の再考
3. 『昔噺桃太郎』の筋展開と作意
4. 『昔噺桃太郎』の特徴｢書入｣
5. 結語：『むかし噺舌切雀』との比較を通して
【参考文献】

키워드

저자

• 康志賢 [ 강지현 | 全南大学校国際学部日本学専攻 教授 ]

참고문헌

발행기관

간행물

표지보기 관심저널 등록

• 간행물명

  일본언어문화 [Journal of japanese Language and Culture]

• 간기

  계간

• pISSN

  1598-9585

• 수록기간

  2002~2025

• 등재여부

  KCI 등재

• 십진분류

  KDC 730 DDC 495