In the Kojiki and Nihonshoki, Susanowo drawn as a problem child who stirred up all misfortune since it was born is also called the trickster in a Japanese myth. Now, in the tale about "Sominshorai" of "the topography of Bingo province", Susanowo appears as God of a calamity with the same divinity as the Kojiki and Nihonshoki. This is connected also with the negative field of "NenoKuni" where all sins flow in as drawn on the congratulatory address. And it seems that the tradition was subject to the influence of the Korean Peninsula since it was going across Susanowo from Silla. Therefore, the relation of the visitor's culture should serve as a backdrop that Susanowo and "MutanoKami" were connected. In the topography, although told as an anecdote in connection with the spirit of smallpox, it seems that I pulled out Susanowo drawn as a negative existence in order to tell the origin of a "Enokuma-shrine". As mentioned above, the tale of topography is what faith of "MutanoKami" presumed to be "Mudan" which came across the sea, and the spirit of smallpox was combined, and was realized, and also became an enshrined deity of the Gion shrine after that. although I attach and am alike and "MutanoKami" is explained to be "GozuTenno" which is the divinity similar to Susanowo, it seems that this twined with what is called harmonization of Shinto and Buddhism thought, and was developed.
동북아시아문화학회 [The Association of North-east Asian Cultures]
설립연도
2000
분야
복합학>학제간연구
소개
동북아시아 문화의 다양성과 정체성을 연구 토론하고, 지역내 문화 교류의 다양한 모습을 연구하고 문화변동의 큰 틀을 집적함으로써 우리 민족 문화 및 상대 민족의 문화적 터전을 이해하여 문화공동체적 특성을 계발하고 상호 관련성의 강화를 유도하는 학술활동을 통해 동북아시아의 문화발전에 이바지함.