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東北アジア:敎育と社会

再⽣と包摂のアート:津波被災者のさをり織り
Art of Revitalization and Inclusion : Saori-Weaving by Tsunami Survivors

첫 페이지 보기
  • 발행기관
    동북아시아문화학회 바로가기
  • 간행물
    동북아시아문화학회 국제학술대회 바로가기
  • 통권
    2022年 秋季聯合国際学術⼤会 (2022.11)바로가기
  • 페이지
    pp.141-144
  • 저자
    東山高志, イザンベール真美
  • 언어
    일본어(JPN)
  • URL
    https://www.earticle.net/Article/A425149

※ 원문제공기관과의 협약기간이 종료되어 열람이 제한될 수 있습니다.

원문정보

초록

영어
Saori weaving, which originated in Osaka, is known as an art brut that allows anyone to weave freely without being restricted by boundaries. How did it contribute to the revitalization of people and communities, and to the social inclusion of the victims? In the disaster stricken areas of Thailand, the Japanese monk, Venerable Ajahn Mitsuo Gavesako of the Theravada Buddhist Forest School introduced saori-weaving at the Bang Muang refugee camp as an alternative to "a-na-pa-nasatexi," a meditation technique that focuses on breathing for mental health. Tsunami survivors were able to leave their traumatic memories by joyfully concentrating on weaving, even without doing the practice. How the victims of the Great East Japan Earthquake regenerated their minds, became re-involved in society, and revitalized as human beings will be reported in this presentation by Takashi Higashiyama himself, who practiced the spread of saori weaving in Thailand and Sanriku. Saori weaving has the following four policies. (1) The difference between machines and humans, (2) adventure to break through common sense, (3) curiosity, and (4) group learning. (4) is unique in that it does not create a teacher-student relationship, i.e., "the one who teaches" and "the one who is taught. Higashiyama focused on (4) and implemented the five key elements of "resident-oriented,” "group learning," "autonomous," "anyone can participate," and "development of projects in accordance with the stage of recovery. All of these are based on the premise of "creating a safe place.  The program resulted in 80% to 100% improvement of typical PTSD symptoms and enabled various forms of social inclusion.

목차

事例1. 宮古・⼭⽥町の特徴:引きこもり・ニートの若者がさをりを広める
事例2. 被災地間交流「被災地をつなぐさをり織り」Cruise􀀁around􀀁Tsunami􀀁Havens
事例2-1. 制度によるケアの枠から外れた⼈の掘り起こし
事例2-2. 障がい者の社会参加􀀁
参考⽂献
Abstract

저자

  • 東山高志 [ HIGASHIYAMA Takashi | ツナミクラフト代表 社会教育士  ]
  • イザンベール真美 [ MAMI Isambert | 大和大学 准教授 ]

참고문헌

자료제공 : 네이버학술정보

간행물 정보

발행기관

  • 발행기관명
    동북아시아문화학회 [The Association of North-east Asian Cultures]
  • 설립연도
    2000
  • 분야
    복합학>학제간연구
  • 소개
    동북아시아 문화의 다양성과 정체성을 연구 토론하고, 지역내 문화 교류의 다양한 모습을 연구하고 문화변동의 큰 틀을 집적함으로써 우리 민족 문화 및 상대 민족의 문화적 터전을 이해하여 문화공동체적 특성을 계발하고 상호 관련성의 강화를 유도하는 학술활동을 통해 동북아시아의 문화발전에 이바지함.

간행물

  • 간행물명
    동북아시아문화학회 국제학술대회 [國際學術大會]
  • 간기
    반년간
  • 수록기간
    ~2022
  • 십진분류
    KDC 910 DDC 950

이 권호 내 다른 논문 / 동북아시아문화학회 국제학술대회 2022年 秋季聯合国際学術⼤会

    피인용수 : 0(자료제공 : 네이버학술정보)

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