Earticle

초록

영어

The story and iconography of the ‘Four Harmonious Animals’ are cultural elements that are used as much as Korean Jangseung in Tibetan Buddhist cultural world. This story was passed down as part of the original story(Jātaka). Jātaka seems to have originated from the fact that Buddhist practitioners accepted ancient Indian tales into Buddhism and refined the stories of Buddha and his disciples from their previous lives and various parables. Buddhist literature including ‘Jataka’ and art fields such as various icons and sculptures created a synergistic effect and played an important role in ancient Indian Buddhist culture. ‘Tittira Jātika’ went beyond India’s various historical communities, and through northern India and Central Asia, Indian Buddhism spread to neighboring civilizations. Very energetic Buddhist evangelists and adversaries played a major role in this spread. Ancient Indian Buddhism spread on both the maritime Silk Road and the land Silk Road, and with the establishment and development of the Tubo Empire, Tibet was also a major route of diffusion. ‘Tittira Jātika’ entered Central Asia and Tibet and established itself as a tale and iconography of the ‘four harmonious animals’. In particular, in Tibetan Buddhist cultural world, the icon and tale of the the ‘four harmonious animals’ were established as an independent cultural element of Mthun-pa-spun-bzhi(Tibet) and Tumbaash(Mongol). As Mongolia was included in the Tibetan Buddhist cultural world, the tale and iconography of the ‘Four Harmonious Animals’ spread to the Mongolian historical community. Interestingly, in the early 20th century, the ‘four harmonious animals’ icon was adopted as part of the national symbol along with the movement to establish a modern Buddhist nation-state in Tibet and Mongolia. This means that the cultural element of ‘four harmonious animals’ has begun to be more widely accepted throughout society as it has emerged as a national symbol.

목차

I. '화목한 네 동물' 서롸와 도상의 분포
II. '화목한 네 동물' 이야기와 도상 정립
제1장. 인도에서의 '티티라 자타카(Tittira Jataka)' 설화와 도상의 형성
제2장. 실크로드상의 '화목한 네 동물' 설화와 도상의 정립
III. 티베트와 몽골의 '화목한 네 동물' 도상의 수용과 확장
제1장. 티베트의 '튄빠쀤시(Mthun-pa-spun-bzhi)'의 수용과 도상 독립
제2장. 몽골의 '톰바쉬(Tumbaash)'의 수용과 양상과 이해
IV. 맺음말
참고문헌
사진
논문초록

키워드

저자

• 박장배 [ Park, Jang bae | 동북아역사재단 한중관계사연구소 연구위원 ]

참고문헌

발행기관

간행물

표지보기 관심저널 등록

• 간행물명

  동북아 문화연구 [Journal of North-east Asian Cultures]

• 간기

  계간

• pISSN

  1598-3692

• 수록기간

  2001~2026

• 등재여부

  KCI 등재

• 십진분류

  KDC 910 DDC 950