The purpose of this paper is to examine the aspects of transformation of the Sanno Faith(山王信仰), particularly focusing on the Literary Arts in Ancient Japan and the Chapter 1・2 of Heike Monogatari. In ancient literary arts, Sanno was described as Oyamakui no Kami, which is enshrined on Mt. Hiei in Kojiki and Sendaikujihongi, and represented the deity as the guardian deity of Mt. Hiei. In addition, it can be seen that the two gods, Miwa Myojin and Oyamakui no Kami were enshrined on Mt. Hiei. And the divinity of Mt. Hiei as Kamiyama can be seen in Kaifuuso, and it shows the deity as the guardian deity of the Tendai sect in Shuchusho. In the Chapter 1・2 Heike Monogatari, Hiyoshi Gongen is depicted as the object of prayer for healing of illness, possession, mercy and upaya. And it is also depicted as the god of punishment and a miraculous god. Sanno which was considered the guardian deity of Mt. Hiei, when Gongen faith actively led Heian period from the mid to the end, was referred to as Hiyoshi Gongen, people sought worldly benefits such as recovery from illness. In the background of this, Sanno Shrine was always built as a guardian deity of the temples of the Tendai sect, and Sanno faith spread throughout the country along with the prosperity of the Tendai sect. A simple example of this is that Sanno underwent various transformations as a god seeking worldly benefits.
한국일본언어문화학회 [Japanese Language & Culture Association of Korea]
설립연도
2001
분야
인문학>일본어와문학
소개
본 학회는 일본어학 및 일본문학은 물론, 일본의 정치, 경제, 문화, 사회 등의 일본학 전반에 걸친 연구 및 일본의 언어, 문화를 매체로 한 한국과의 비교 연구를 대상으로 하고 있다. 본 학회는 회원들에게 연구 발표 및 정보 교환의 기회를 부여하고 나아가 한국에서의 바람직한 일본 연구 자세를 확립하는 것을 주된 목표로 하고 있다.