Earticle

초록

영어

In literary works, “death” plays an important role in causing conflicts between characters and driving the plot. Death has the irreversibility of being unable to return to life when it dies, and therefore the inalienable intelligence of not knowing about the afterlife. This causes people to feel pain and fear of death. The description and role of death in literary works can be said to be the result of using pain and fear. However, in literary works, there are cases where the two characteristics of death are contrary. The dramatic effect is maximized by reviving the dead. Therefore, this article focuses on classical Japanese and Korean performing arts based on prior research. It was because classical performing arts had a profoundly different faith from the ancient faith of life and death, and gained widespread popular support. First of all, we summarize the flow of Japanese resuscitation stories and analyze the resuscitation stories of modern joruri and kabuki. He then compared it with the Korean “Prince of Bali” and “Simcheongjeon”. In conclusion, the Japanese idea of resuscitation tended to seek medical causal relationships in entertainment. It can also be pointed out that the idea of resuscitation is used in a funny way. On the other hand, the idea of resuscitation in Korea was used to emphasize Confucian ethics such as filial piety. That’s why the story is so far from reality.

목차

1. はじめに
2. 日本の現実的な蘇生譚
3. 親孝行のための死と蘇生
4. おわりに
参考文献

키워드

저자

• 片龍雨 [ 편용우 | 전주대학교 일본언어문화학과 조교수, 일본 전통문예 ]

참고문헌

발행기관

간행물

표지보기 관심저널 등록

• 간행물명

  일본언어문화 [Journal of japanese Language and Culture]

• 간기

  계간

• pISSN

  1598-9585

• 수록기간

  2002~2025

• 등재여부

  KCI 등재

• 십진분류

  KDC 730 DDC 495