"Susanowo" called the trickster in a Japanese myth is only God which played an active part from heavens to the ground and the underground world. And in the Kojiki and Nihonshoki, I have the ambivalence of good and evil because divinity changes according to the myth world of the ground a heavens top. Most, in the Kojiki and Nihonshoki, it was that emphasis was put on the direction of wrong from the composition which the editor meant, and it was also an aim which emphasizes the absoluteness of the Imperial Household's ancestor God. However, I cannot reach to an extreme of the divinity of "Susanowo" only by it. It is because signs that I also resembled Hudoki and Norito with the Kojiki and Nihonshoki are seen. Then, I thought that there would be character of God to tour like what is called "Marebito" It is because settlement is God which appears as it does not do but turns around here and there.
동북아시아문화학회 [The Association of North-east Asian Cultures]
설립연도
2000
분야
복합학>학제간연구
소개
동북아시아 문화의 다양성과 정체성을 연구 토론하고, 지역내 문화 교류의 다양한 모습을 연구하고 문화변동의 큰 틀을 집적함으로써 우리 민족 문화 및 상대 민족의 문화적 터전을 이해하여 문화공동체적 특성을 계발하고 상호 관련성의 강화를 유도하는 학술활동을 통해 동북아시아의 문화발전에 이바지함.