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谷崎潤一郎『蓼喰ふ虫』についての一考察 -母性思慕と永遠女性を中心に-
A study about Some Prefer Nettles of Junichiro Tanizaki - Focusing on Longing for mother and Eternal woman -

첫 페이지 보기
  • 발행기관
    한국일본언어문화학회 바로가기
  • 간행물
    일본언어문화 KCI 등재 바로가기
  • 통권
    제56집 (2021.10)바로가기
  • 페이지
    pp.163-183
  • 저자
    安枝蓮
  • 언어
    일본어(JPN)
  • URL
    https://www.earticle.net/Article/A401820

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원문정보

초록

영어
This paper considers some prefer nettles of Junichiro Tanizaki as a transitional work from his early Western-inspired works to his later traditional Japanese works. This is a study on the theme of the eternal woman. Most research into some prefer nettles has concentrated on Junichiro Tanizaki’s autobiographical novel. The author, however, intends to identify the eternal woman of Junichiro Tanizaki by analyzing some prefer nettles from the structural aspect of the novel. The novel consists of three stories: the first story concerns the world of a couple foreshadowing the divorce of the protagonist Kaname and his wife Misako; and the second, a traditional world where Kaname, his wife Misako, his father in law, the old man’s mistress Louise go on a trip to Awaji to see a puppet theater play Bunraku; and the third, the Western world where Kaname and his lover Louise have the physical pleasures. It can be said that this novel is composed of the story of the protagonist Kaname falling into the Asian world against the backdrop of the couple’s world and the Western world. In Chapter2 of this paper, we examined his move to the Kansai area that influenced the traditional regression in Junichiro Tanizaki’s literature. As a result, it can be said that after his relocation to the Kansai area in the Taishō 12 (1923), from the end of the Taishō period to the early Shōwa period, it was a period of confusion from Westernism to Orientalism, while at the same time exotic sentiment toward the West was to be changed into Kansai. In Chapter 3, 4 we looked at the eternal woman of Junichiro Tanizaki by focusing on the story of the protagonist Kaname getting into the puppet theater play Bunraku. It can be seen that the eternal woman with a young and beautiful Western appearance in the past is being transformed into an Asian woman at the time of writing some prefer nettles. It is a figure of the eternal woman like doll that does not easily reveal personality in the Japanese tradition. However, Junichiro Tanizaki’s admiration for his own young and beautiful mother is inherent in Junichiro Tanizaki’s literature. His feelings for any admiring woman are idealized in fantasy and she is admired as the eternal woman. In Chapter 5 of this paper, we examined the whitish face of the eternal woman. In particular, the whitish face of the eternal woman is taken from the image of Junichiro Tanizaki’s own mother’s pure white face. It can be said that it is the face of an etenal woman with classical beauty.

목차

1. はじめに
2. 日本伝統美へのエキゾティシズム
3. 幻想の世界と文楽
4. 未知の世界への旅
5. 永遠女性と「ほのじろい顔」
6. おわりに
【参考文献】

키워드

moving to the Kansai area exoticism Bunraku longing for mother Eternal woman 関西移住 エキゾティシズム 文楽 母性思慕 永遠女性

저자

  • 安枝蓮 [ 안지연 | 日本ノートルダム清心女子大学 日本語日本文学科 博士後期課程修了 ]

참고문헌

자료제공 : 네이버학술정보

간행물 정보

발행기관

  • 발행기관명
    한국일본언어문화학회 [Japanese Language & Culture Association of Korea]
  • 설립연도
    2001
  • 분야
    인문학>일본어와문학
  • 소개
    본 학회는 일본어학 및 일본문학은 물론, 일본의 정치, 경제, 문화, 사회 등의 일본학 전반에 걸친 연구 및 일본의 언어, 문화를 매체로 한 한국과의 비교 연구를 대상으로 하고 있다. 본 학회는 회원들에게 연구 발표 및 정보 교환의 기회를 부여하고 나아가 한국에서의 바람직한 일본 연구 자세를 확립하는 것을 주된 목표로 하고 있다.

간행물

  • 간행물명
    일본언어문화 [Journal of japanese Language and Culture]
  • 간기
    계간
  • pISSN
    1598-9585
  • 수록기간
    2002~2025
  • 등재여부
    KCI 등재
  • 십진분류
    KDC 730 DDC 495

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