Earticle

초록

영어

｢Minongjeon(閔翁傳), Tale of Min Yusin｣ actively intervene not only the protagonist Min Yusin, but the narrator by maintaining and emphasizing the relationship between Min Yusin and the narrator. This paper contemplates the projection of the development of their peer relationship by employing the element of humor and satire as literary devices. Taking a progressive and original view for the period, Yunam applied what he learned from The Records of the Grand Historian (史記) to his creation. Furthermore, by understanding and modifying The Records of the Grand Historian with various considerations including Yunam not only utilized literary figures of speeches, but also accommodated the content and Sima Qian’s thoughts in depth. An examination of the conflict between Min Yusin’s ideals and reality and the narrator’s internally influential relationship with Min Yusin affirms that Minongjeon delivers the subject circuitously. Min Yusin and the narrator’s relationship involves elements of encountering, sharing through a sense of kinship, and parting over the course of their deepening friendship. Because the narrator’s depression is not quite cured, it becomes clear that the humor and satire shared between Min Yusin and the narrator do not address the depression’s fundamental cause. Inner frustration and empathy toward the object of humor penetrates the inner sense of humor and satire and relates to the figuration and context of the theme of the Biography of Qu Yuan and Jia Sheng (屈原賈生列傳). Through Yunam Pak Chiwon’s Shiji (史記), a related record, it can be confirmed that the bestirringrite relates to Shiji and is arranged consistently throughout the beginning and the end of Minongjeon. In particular, but focusing on humorous factors, Yunam actively engaged in expressing the distress of characters who, at the time, struggled to adjust to the rapidly changing society. Moreover, Yunam reinvented the ubiquitous psychology of human conflict and the cycle of frustration, joy, sorrow, and consolation by grafting humor and satire into Minongjeon(閔翁傳) and empathizing with the audience.

목차

Ⅰ. 서론
Ⅱ. ‘민옹-화자’ 구도의 형성 및 풍자와 해학
제1장. 공간이동을 통해서 본 ‘민옹-화자’의 구도
제2장. ‘민옹-화자’ 구도에 드러난 개인적 성향의 해학과 풍자
Ⅲ. ‘민옹-좌객’ 전환 구도에 드러난 해학과 풍자
제1장. ‘민옹-좌객’ 구도에 드러난 사회적 성향의 해학과 풍자
제2장. ‘민옹-좌객’ 구도와 ｢滑稽列傳｣의 구도 비교
Ⅳ. ‘민옹-화자’ 구도의 회귀 및 발분의식
제1장. 신의에 따른 ‘민옹-화자’ 구도의 변모 양상
제2장. ‘민옹-화자’ 구도에 드러난 발분의식의 내면적 변모양상
Ⅴ. 결론
참고문헌
논문초록

키워드

저자

• 심은경 [ Shim, Eun kyung | 단국대학교 한문학과 석박사통합과정 ] 제1저자
• 김원중 [ Kim, Won joong | 단국대학교 한문교육과 교수 ] 교신저자

참고문헌

발행기관

간행물

표지보기 관심저널 등록

• 간행물명

  동북아 문화연구 [Journal of North-east Asian Cultures]

• 간기

  계간

• pISSN

  1598-3692

• 수록기간

  2001~2026

• 등재여부

  KCI 등재

• 십진분류

  KDC 910 DDC 950