Earticle

초록

영어

Maekawa Kunio was one of the masters representing architecture of the 20th century. In the architecture competition of Imperial Museum Tokyo, he submitted a plan for a flat roof to resist the nationalist architecture and criticized "pseudo-Japanese architecture" of those days based on his faith in modernism architecture. Following the competition for Greater East Asia Co-Prosperity Sphere Memorial Hall in which Tange Kenzo won the first prize in 1942, however, he proclaimed his conversion by calling the Asia-Pacific War "holy war to change the world history." In the competition for Japan Cultural Center in Bangkok in 1943, he also used the traditional Japanese architectural style and submitted a plan for an inclined roof. He made an even clearer declaration of his conversion by publishing Memorandum in December, 1942. By borrowing the logic of "Overcoming Modernity" from the Kyoto School that offered theoretical supports to the Asia-Pacific War, he insisted on "national architecture in the world history" and maintained that the government's "cultural control" should be needed even in the areas of individual studies, arts, and religion. It is fascism and war ideology, and no one can deny this self-evident fact.

목차

Abstract
1. 서론
1.1 연구의 배경 및 목적
1.2 연구의 방법 및 의의
2. “모더니즘의 투장(鬪將)” 마에카와 쿠니오
2.1 르 코르뷔지에와 마에카와 쿠니오
2.2 “새로운 백악의 건물” 키무라산업연구소
2.3 마에카와 쿠니오와 “비전향의 신화”
3. 대동아 건축양식 문제
3.1 탄게 켄조의 “대동아건설기념영조계획”
3.2 마에카와 쿠니오와 “순양함” 기능주의
3.3 마에카와 쿠니오의 제관양식 건축
3.4 하마구치의 논문 『일본국민건축양식의 문제』
4. 마에카와 쿠니오의 전향과 “세계사적 국민건축”
4.1 전쟁 이후의 여러 평가들
4.2 각서 와 “근대의 초극”
5. 결론
REFERENCES

키워드

마에카와 쿠니오 아시아ㆍ태평양전쟁 파시즘 근대건축 근대의 초극 탄게 켄조 대동아 Maekawa Kunio Asia-Pacific War Fascism Modern Architecture Overcoming Modernity Tange Kenzo Greater East Asia

저자

• 김병주 [ Kim, Byeong-Ju | 경일대학교 건축학부 조교수, 인간ㆍ환경학박사 ] Corresponding Author
• 도현학 [ Do, Hyun Hak | 영남대학교 건축학부 교수, DPLG ]

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