This study set out to compare A Drift Diary on Joseon and related historical materials in “costume aspect[服飾樣相] in the early 19th century” based several illustrations of superior officials that Yasda[安田義方] met in Joseon. In the research process, the investigator encountered many questions and found small differences between historical materials and between laws and customs of the times. The costume aspect of superior officials that Yasda met were mainly divided into two types: one was the costume of superior officials that he met in Chungcheong-do including Yun Yeong-gyu(尹永圭) and Choi Hwa-nam(崔華男), and the other was that of Jo Dae-yeong(趙大永) that he met in Jeolla-do. These superior officials wore a public attire[公 服] to extend their courtesy[禮] as they met Yasda and his crew that were sailors from another country. It is estimated that the former and latter group wore Yungbok(戎服) and Gunbok(軍服) in simple formal attires. The study examined specifically the aspects and characteristics of Yungbok and Gunbok those days based on their outfits. A close look at Yasda’s paintings shows that there was a strict hierarchical order between upper- and lower-rank government officials and that it was reflected clearly in their attires. Then why did the Yungbok aspects of superior officials in Chungcheong-do not comply with the laws or systems of those days? That is, they were different from the Yungbok system in the colors of Ip(笠) according to the ranks, materials of Ipyeong(笠纓), and colors of Cheopri(帖裏) and Dae(帶). It is noteworthy in Yasda’s paintings that they wore “Hye(鞋)” with no Sinmok[鞋頸] according to the customs of the times even though the Yungbok and Gunbok outfits required “Hwa(靴)” with long Sinmok[靴頸]. It was also found in 『Dasan’s Collection of Poetry and Prose[茶山詩文集]』. It is not clear whether these black leather shoes with an opening in the nose[鞋鼻] were “Suhyeja(水鞋子)”. It also remains as a question whether putting on Beoseon[襪] like “Hwa(靴)” was due to the vogue of Chinese custom or a wrong expression of “Haengjeon(行纏)”.
목차
Ⅰ. 머리말 Ⅱ. 『조선표류일기』에서 복식 관련 그림과 기록 Ⅲ. 융복의 제도와 양상 Ⅳ. 군복의 제도와 양상 Ⅴ. 맺음말 참고문헌 논문초록
동북아시아문화학회 [The Association of North-east Asian Cultures]
설립연도
2000
분야
복합학>학제간연구
소개
동북아시아 문화의 다양성과 정체성을 연구 토론하고, 지역내 문화 교류의 다양한 모습을 연구하고 문화변동의 큰 틀을 집적함으로써 우리 민족 문화 및 상대 민족의 문화적 터전을 이해하여 문화공동체적 특성을 계발하고 상호 관련성의 강화를 유도하는 학술활동을 통해 동북아시아의 문화발전에 이바지함.