『Hwang Jin-i』 is a story of a gisaeng in the Joseon Dynasty that has been reinterpreted through various media such as movies and dramas in Korea. It is a work that has been reinterpreted many times, and it can be said that it is one of the works that has solidified our image of gisaeng by acting by many writers and many actors. 『Sakuran』 is a film based on Moyoko Anno's manga, and debuted as a director by Mika Ninagawa, a famous photographer. Won the Best Music Award and the Best Art Award at the 31st Japan Academy Awards. This work deals with the story of a girl until she is sold to Yugwa and leaves Yugwa through gorgeous colors and direction, and presents a new interpretation different from the appearance of a young woman in most existing works. While Hwang Jin-i is a real character and works such as poetry still remain, Kiyoha in Sakuran is a fictional character, but the two works are special professional women whose protagonist is a gisaeng and a young woman. The personality of a female character that differentiates from the family is very similar. This study analyzes the similarities and differences between the two works, the gazes of gisaengs and young women in both countries, the change of gazes according to the times, and the reasons.
동북아시아문화학회 [The Association of North-east Asian Cultures]
설립연도
2000
분야
복합학>학제간연구
소개
동북아시아 문화의 다양성과 정체성을 연구 토론하고, 지역내 문화 교류의 다양한 모습을 연구하고 문화변동의 큰 틀을 집적함으로써 우리 민족 문화 및 상대 민족의 문화적 터전을 이해하여 문화공동체적 특성을 계발하고 상호 관련성의 강화를 유도하는 학술활동을 통해 동북아시아의 문화발전에 이바지함.