Earticle

초록

영어

This paper compares Elizabeth Barrett Browning in 1850s England and Goh Jung Hee in 1980s Korea, focusing on their writing subjectivities as a woman poet in each different social context. Both consider their act of writing the feminist poems as a social criticism, transforming the patriarchal social system into more humanized social structure. Barrett Browning, by writing Aurora Leigh(1857), created three kinds of female subjectivity: the most self-assertive woman-poet, Aurora's first-person narrative; the raped working-class girl, Marian's breaking verbalization of the forbidden subject; and the disinherited Victorian woman-poet, Barrett Browning's access to the phallocentric genre. Goh Jung Hee, by writing three poems, "An Appeal Made by "Patriotic Women's League" for Donation of Rings"(1987), "Rice and Capitalism: A Woman's Tune Who Gains a Bowl of Rice by Selling Her Body"(1992), and "Let Us Burst Open the Dams"(1987), created Korean women's collective subjectivities by water images based on historical consciousness, reflecting the past and present Korean women's everyday lives. Elizabeth Barrett Browning and Goh Jung Hee accomplished their social responsibilities as a woman poet in each different socio-historical context, illustrating women's access to full subjectivity with female imagination and incisive critique through writing the feminist poems as a social criticism.

목차

1. 1850년대 영국의 바렛 브라우닝과 1980년대 한국의 고정희
 2. 공적 영역에서 페미니스트 시쓰기
 3. 가부장 사회와 여성 섹슈얼리티
 4. 여성 시인으로서 사회적 책임
 인용문헌
 Abstract

키워드

저자

• 이소희 [ Lee, So-Hee | 한양여자대학 ]

참고문헌

발행기관

간행물

표지보기 관심저널 등록

• 간행물명

  영어영문학21 [English21]

• 간기

  계간

• pISSN

  1738-4052

• 수록기간

  1967~2025

• 등재여부

  KCI 등재

• 십진분류

  KDC 840 DDC 820