This study attempted to capture the characteristics of modern existence from the excessive impulse of ugliness in TV entertainment programs of Radio Star, What Do You Do When You Play? and My Little Boy. Radio Star shows the formative performance of pure play without considering any practical usefulness of ‘Jalbang’, directed in a comprehensive media. In this program, the intense visual performance produced in a comprehensive media, such as images, objects, pictograms, and photos, can be viewed as a zero-dimensional superficial existence that exists only on the screen without content and substance. The zero-dimensional illusion that exists only on the screen does not represent a given world, but shows a superficial existence that exists only in the technological imagination and illusion created by digital. In What Do You Do When You Play?, attention was paid to the value of spontaneity and contingency, which rejects common thoughts. In this program, heterogeneous combinations that transcend all categories and boundaries frequently appear in genre, character, and way of progression. In the present age, there is no set rule, and infinite texts are created, fused, and dismantled again, requiring an inhuman way of existence that constantly leads to new birth. In spontaneous collaboration and entrusting everything to accidental choices, it confirmed an inhuman existence that was completely different from human thoughts in the past. My Little Ugly is approaching the deviance and travel of the performers as another character, not as an error. Looking at the modern way of thinking that is fascinated by ugliness, in My Little Ugly, we can confirm the obscene existence of modern people who try to see errors as another truth, not just falsehood. At first glance, the narcissistic excess impulse, which seems vulgar, is seen as a new form of obscene existence that rethinks a new identity.
동북아시아문화학회 [The Association of North-east Asian Cultures]
설립연도
2000
분야
복합학>학제간연구
소개
동북아시아 문화의 다양성과 정체성을 연구 토론하고, 지역내 문화 교류의 다양한 모습을 연구하고 문화변동의 큰 틀을 집적함으로써 우리 민족 문화 및 상대 민족의 문화적 터전을 이해하여 문화공동체적 특성을 계발하고 상호 관련성의 강화를 유도하는 학술활동을 통해 동북아시아의 문화발전에 이바지함.