Earticle

초록

영어

As we experienced the Tohoku earthquake disaster on 3.11, 2011, we came to the realization that we live in a dangerous society under potential threats. The narratives of 3.11 disaster display the determination to return to normalcy and to heal the wounds of disaster. However, two distinct types of narratives emerge with different approaches. Fukushima Hula Girls depicts the journey of Hula Girls joining once again to help restore the regions destroyed by the earthquake and the nuclear reactor disaster. Light Up Nippon explicitly displays the narrative of reconstruction and renaissance of Japan, just like Himizu, which also talks about recovering from the disaster and returning to normal life. On the other hand, there is another narrative that suggests an alternative direction for overcoming disasters and a new definition of them. Friends After 3.11, Odayaka, Hasui no Koto develop their narrative on the theme of setting new directions beyond the previous value system. Such narrative includes urging the structural changes of the social system to develop alternative energy, and warnings against the nuclear reactors, based on the Fukushima Nuclear Disaster. This paper intends to explore the characteristics and meanings of disaster narratives that are related to the 3.11 disaster, represented by the 3.11 Tohoku earthquake and the Fukushima nuclear reactor disaster. Through this research, we hope to uncover the paradigm shift brought by the 3.11 disaster and how it changed Japanese people’s perception about attitudes towards life, world view, and the sense of community.

목차

1. 3･11 재난과 재난서사의 선행연구
2. 일상 회복과 리얼리티의 환상
3. 대항적 서사와 성찰적 태도
4. 결론
참고문헌
논문초록

키워드

저자

• 신현선 [ Shin, Hyun-Seon | 원광대학교 한중관계연구원 동북아시아인문사회연구소 HK+연구교수, 일본근현대문학 전공 ]

참고문헌

발행기관

간행물

표지보기 관심저널 등록

• 간행물명

  동북아 문화연구 [Journal of North-east Asian Cultures]

• 간기

  계간

• pISSN

  1598-3692

• 수록기간

  2001~2026

• 등재여부

  KCI 등재

• 십진분류

  KDC 910 DDC 950