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특집–해역네트워크의 확산

엔도 슈사쿠(遠藤 周作)의 『침묵』과 ‘해역’
Endo Shusaku’s “Silence” and ‘Sea area’

첫 페이지 보기
  • 발행기관
    동북아시아문화학회 바로가기
  • 간행물
    동북아 문화연구 KCI 등재 바로가기
  • 통권
    제62집 (2020.03)바로가기
  • 페이지
    pp.57-70
  • 저자
    윤일
  • 언어
    한국어(KOR)
  • URL
    https://www.earticle.net/Article/A371503

※ 원문제공기관과의 협약기간이 종료되어 열람이 제한될 수 있습니다.

원문정보

초록

영어
This study aimed to examine the marine routes that were followed by missionaries shown in this work for the Christian evangelism in Japan. Especially, this study examined the relation between introduction process of Christianity in Japan and ‘sea area’ by comparing the marine travel route of Francis de Xavier who introduced Catholicism for the first time to Japan in 1549. Moreover, this study understood the meanings of ‘ocean’ and ‘sea area’ shown in this work. Recently, the ‘sea area’ are defined as ‘loose connection of lands surrounded by ocean’. The ‘sea area’ not only refer to the marine travel route, but also mean the background region and the world after moving to land through the maritime. The lives and acts of missionaries who introduced Christianity for the first time in Japan were the ‘history of sea area’ in the Christian missionary work. It fully contains all the hopes and frustrations of Christian missionaries who landed on the southern tip of Japan through the Cape of Good Hope in Africa, Goa in India, and Manila or Macau after departing from Europe. Moreover, the 『Silence』 which was the subject of this study showed more detailed image of ‘ocean’. The silence of ‘God’ reflected in the main character’s heart was reflected in the silence of ‘ocean’. In addition, despite a historical novel, it was not faithful to historical records when comparing with the missionaries’ routes in the past. Even though most of the existing preceding researches viewed the silence of ‘God’ as a ‘companion Jesus’, it is not good enough to fully agree on the preceding researches because of the change of Rodrigo’s mental state reflected in the silence of ‘ocean’. It is unavoidable to have a question about if it would be good to equally regard ‘God’ on the ‘dark gray ocean’ that swallowed the martyrs to death and ‘the man in the woodblock’. It might be ‘the man in the woodblock’ that was justifying the main character who had an apostasy at hand. The third-person narrator of the omniscient viewpoint did not say ‘God’, but say ‘the man’.

목차

1. 서론
2. 본론
2.1 엔도 슈사쿠와 기독교문학
2.2 일본의 기독교전래와 ‘해역’
2.3 침묵과 ‘해역’
3. 결론
참고문헌
논문초록

키워드

기독교문학 해역 침묵 하느님 바다 Christian Literature Sea area Silence God Ocean

저자

  • 윤일 [ Yoon, Il | 부경대학교 일어일문학부 교수 ]

참고문헌

자료제공 : 네이버학술정보

간행물 정보

발행기관

  • 발행기관명
    동북아시아문화학회 [The Association of North-east Asian Cultures]
  • 설립연도
    2000
  • 분야
    복합학>학제간연구
  • 소개
    동북아시아 문화의 다양성과 정체성을 연구 토론하고, 지역내 문화 교류의 다양한 모습을 연구하고 문화변동의 큰 틀을 집적함으로써 우리 민족 문화 및 상대 민족의 문화적 터전을 이해하여 문화공동체적 특성을 계발하고 상호 관련성의 강화를 유도하는 학술활동을 통해 동북아시아의 문화발전에 이바지함.

간행물

  • 간행물명
    동북아 문화연구 [Journal of North-east Asian Cultures]
  • 간기
    계간
  • pISSN
    1598-3692
  • 수록기간
    2001~2026
  • 등재여부
    KCI 등재
  • 십진분류
    KDC 910 DDC 950

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