This study mainly focuses on the host discourse, which is an applied study of Chinese language and culture. Culture is an important force for the survival and development of the nation, the core competitiveness of external communication, and the important support of the host's discourse image. The development of China's program hosts has experienced 40 years. The media form has changed greatly from radio to television, and then to new media. In the era of new media, the discourse of host is in the context of global information dissemination, which is bound to be related to the issue of cultural identity. As the professional discourse form of the host, the generation mechanism, communication mechanism and feedback mechanism of the host discourse are in a dynamic harmony. The social role orientation of host discourse is a unique characteristic of host group in social activities, which is irreplaceable. This paper mainly discusses the image of the host's discourse from three aspects: the concept of the host's discourse image, the social role of the host's discourse and the cultural interpretation of the host's discourse image. The connection between the host and the audience is more from the "dialogue" in different time and space: the host disseminates information through discourse, the audience understands information through receiving discourse, and the host completes the advancement of individual sociality. The sociality of the host's discourse image is mainly reflected in three aspects: the host's discourse constructs social and cultural situational identity, the host's discourse embodies the cultural representation of collective memory, and the host's discourse integrates media power and cultural penetration.
동북아시아문화학회 [The Association of North-east Asian Cultures]
설립연도
2000
분야
복합학>학제간연구
소개
동북아시아 문화의 다양성과 정체성을 연구 토론하고, 지역내 문화 교류의 다양한 모습을 연구하고 문화변동의 큰 틀을 집적함으로써 우리 민족 문화 및 상대 민족의 문화적 터전을 이해하여 문화공동체적 특성을 계발하고 상호 관련성의 강화를 유도하는 학술활동을 통해 동북아시아의 문화발전에 이바지함.