Wonkwangbupsa is the first ancient monk of Silla to achieve fame in the Sui Dynasty by studying the doctrines of the Southern and Northern Dynasties while studying abroad in the Qin and the Su Dynasties. After returning to Silla at the king's call, he became Silla's greatest monk by taking care of the country's affairs. He gave an annotation to Geoseosa, which fell in Gyeongju, and created a Jeomchabo, a thorough practice, rather than a doctrinaire Buddhism, and held a Ksitigarbha belief assembly in honor of the Ksitigarbha belief. But while committing the illegal act of giving a king a royal line, he took his distance from the race and opened his fortune-telling book, which means he was fascinated by the characteristics of the old-fashioned Ksitigarbha belief. On the other hand, it also means that the conflict with Gyeongju's indigenous religion has not been resolved amicably. It is true that Wonkwang's fortune-telling in the wine of royal and aristocratic beliefs has expanded its scope, but it has not been linked to popularization. This is because the practice of divination itself is a penultimate practice that the general public cannot afford. However, it is believed that the Ksitigarbha belief, which was developed by Wonkwang, was popularized by the Ksitigarbha belief, which was established by the spirit of wisdom, with the help of Shin in the Jinpyeong Dynasty, Gyeongju, where Wonkwang was active, and with the help of his mother, the gold found on the ground. “Gold obtained from the earth implies the original meaning of the earth to bear and give away everything, so that the gold obtained from the Divine Mother means the popularization or spread of Jijiang belief.” Silla's early Jijiang creed is the process of repenting and repenting for his sins and visiting the rest of his innate lair, and Wonkwang is the first Ksitigarbha believer to foretell Ksitigarbha belief as a seongmunseung with such a strong image of the archangel.
동북아시아문화학회 [The Association of North-east Asian Cultures]
설립연도
2000
분야
복합학>학제간연구
소개
동북아시아 문화의 다양성과 정체성을 연구 토론하고, 지역내 문화 교류의 다양한 모습을 연구하고 문화변동의 큰 틀을 집적함으로써 우리 민족 문화 및 상대 민족의 문화적 터전을 이해하여 문화공동체적 특성을 계발하고 상호 관련성의 강화를 유도하는 학술활동을 통해 동북아시아의 문화발전에 이바지함.