Earticle

초록

영어

More and more TV shows, movie screens, and stages are produced in various ways. As the choices are widened, quality and perfection of the work must be increased in order to secure a consumer base. The double make-up is an important factor that can determine the completeness and success of the work such as the harmony of the whole and the degree of immersion of the audience. The makeup that changes with TV broadcasts, movie screens, and stages is also becoming more important, and as time goes by, it is considered to be a necessity, not a choice. This is not a deliberate differentiation, but a change when applied to a movie screen or stage. In comparison, however, there was not much research on change when a piece was expressed in video makeup such as TV broadcasting and movies, and stage makeup such as plays and musicals. This study is intended to be helpful to researchers studying makeup or to audiences who require in-depth materials by preferring original works. Therefore, this study looks at the definition and theoretical background of video and stage makeup, and focuses on the works produced by video and stage art through adaptation of novels. Each movie and musical analyzed the differences in makeup caused by the lighting of the main characters, distance, and the actor's body movements.

목차

Abstract
I. 서론
II. 이론적 배경 및 선행 연구 고찰
1. 분장의 정의 및 의의
2. ‘웃는 남자’ 분장 연구
3. 주연 분장 변화 연구
III. 결론
참고문헌

키워드

저자

• 임소현 [ So-Hyun Lim | 동남보건대학교 뷰티케어과 학생 ] Corresponding Author

참고문헌

발행기관

간행물

표지보기 관심저널 등록

• 간행물명

  한국뷰티경영학회지 [The Korean Beauty Management Journal]

• 간기

  반년간

• pISSN

  2287-9056

• 수록기간

  2013~2023

• 십진분류

  KDC 593 DDC 646