This study analyzed monk calligraphers’ calligraphy and poems on calligraphy in the Tang Dynasty. In this regard, this study made a general introduction of monk calligraphers in the Tang Dynasty, and then extracted the poems on their calligraphy and categorized them into calligraphy poems. Further, this study selected and analyzed the poems on calligraphy written by monk calligraphers since the Tang Dynasty, and investigated the later evaluation of monk calligraphers in the Tang Dynasty. In the early and middle Tang Dynasty, most of the poems were written by literary men about monk calligraphers’ calligraphy, while, in the middle and late Tang Dynasty, quite a number of poems were written by monk poets about monk calligraphers’ calligraphy. The closer the Tang Dynasty was to the middle and late period, the greater the number of monk poets with great poetic skills was. It can be said that monk calligraphers’ calligraphy received much attention from monk poets as well as literary men. As for calligraphic script styles other than Cursive script, there are only 2 poems that Huangtao(黃滔) and Qiji(齊己) wrote about Seal script and Clerical script. Monk calligraphers’ poems on calligraphy are all related to Cursive script. This shows that poems related to Cursive script occupies the absolute majority of monk calligrapher’s poems on calligraphy. This reflects the fact that most of the famous monk calligraphers in the Tang Dynasty, including Huaisu(懷素), Gaoxian(高閑), and Bianguang(䛒光), were excellent in Cursive script. What made monks so closely related to Cursive script? It seems to have been due to the influence and praise of Zhiyong(智永), a famous monk calligrapher who mastered Cursive script in the early Tang Dynasty, and the trend of the times that Cursive script in the early Tang Dynasty created by Zhang Xu(張旭) was remarkably developed. These poems on calligraphy in the Tang Dynasty had a great influence on later poems on calligraphy since the Tang Dynasty, with the Cursive script of monk calligraphers excellent in Cursive script having a particular influence on later Cursive script.
목차
Ⅰ. 서론 Ⅱ. 당대 서승과 서승의 서예 Ⅲ. 당대 서승의 서예를 읊은 서예시 Ⅳ. 당대 서승에 대한 후대의 평가 Ⅴ. 결론 참고문헌 논문초록
키워드
Monk CalligrapherPoems on CalligraphyHuaisuGaoxianBianguang書僧書藝詩懷素高閑䛒光
동북아시아문화학회 [The Association of North-east Asian Cultures]
설립연도
2000
분야
복합학>학제간연구
소개
동북아시아 문화의 다양성과 정체성을 연구 토론하고, 지역내 문화 교류의 다양한 모습을 연구하고 문화변동의 큰 틀을 집적함으로써 우리 민족 문화 및 상대 민족의 문화적 터전을 이해하여 문화공동체적 특성을 계발하고 상호 관련성의 강화를 유도하는 학술활동을 통해 동북아시아의 문화발전에 이바지함.