Since the establishment of diplomatic relations between Korea and China in 1992, it has already been 20 years since the cultural exchanges between Korea and China have entered a new era. At the end of the 1990s, Korea spearheaded popular culture such as drama and music as a vanguard. However, not only in the early Chinese media, government, and academia but also in the private sector, I could not imagine that it would be a role model of China with cultural reverberation, cultural myths, and even cultural traditions. In 2006, some have asserted that this trend is now at the point of destruction, but this assertion appears to be a very hasty conclusion. This paper examines the process of ‘Hallyu(Korean Wave)’ formation in China, summarizes the types of ‘Hallyu(Korean Wave)’ on the continent since the Korea ‐ China Diplomatic Relations, recalls the ‘Hallyu(Korean Wave)’ research history of China, I would like to see the implications of strengthening the quality of Chinese culture, spreading the world, and preserving and developing Korean culture.