Earticle

초록

영어

"Symbolization" in people's hearts has occupied a very important position, human and symbols like species in the food chain, inseparable, people's lives in all aspects of the symbol has a direct or indirect relationship, symbols can be spread, exchange, at the same time is a symbol, is a symbol of the identification of works of art, This logo is also imprinted on the artist and becomes a synounford of the artist himself. The rapid development of diversified society has made us enter the era of information image flood, a large number of image information by people violently "suck", has become a part of people's lives can not be lacking. As China's social environment changes, people's understanding of works of art is also increasing, contemporary art works are also around people's interest to create, trying to adapt to people's "love." Through the unique characteristics of symbols, we grasp people's psychology, make the symbolic information of image language more metaphorical, and can reflect the artist's thinking and exploration of society. At the same time, diversified society makes the works of art more integrated into the environment of consumer society, cultural works of art are consumed like fast food. In the development of the new century, Chinese contemporary art has also received the world's attention and love, especially with a certain symbol of the works have attracted people's attention. In China's contemporary art, symbolic works have more "advantages", whether it is the artist's own creation of symbols, or the symbol of the symbol in the picture, are in contemporary art, "jubilant", is respected by people. At the same time, socialization also affects the development of contemporary art invisibly, and the invisible "means" behind the development of art are hidden. Contemporary art works also need this way to promote the development of symbolic works, symbolic works become a unique phenomenon in contemporary art.

중국어

“符号化”在人们的心中已经占据了相当重要的地位，人类与符号如同食物链中的物种，不可分离，人们生活的方方面面都与符号有着直接或间接的关系，符号可以进行传播、交流，同时是一种象征，是识别艺术作品的一种标志，这种标志也烙印在艺术家身上，成为艺术家自身代名词。多元化社会飞速发展使我们进入信息图像泛滥的时代，大量图片化信息被人们猛烈“吸食”，成为了人们生活中缺少不了的一部分。由于中国社会环境发生着变化，人们对艺术作品的认识也在不断提高，当代艺术作品也围绕着人们产生的兴趣来创作，企图适应人们的“喜爱”。通过符号的独有特性紧紧抓住人们的心理，使图像语言的符号化信息更加充满隐喻性，更能体现出艺术家对于社会的思考与探索。同时多元化社会使艺术作品更加融入消费社会的环境中，文化艺术作品被人们如同快餐式消费着。在新世纪发展时，中国当代艺术也受到世界的关注与喜爱，特别是带有一定符号性的作品备受人们的关注。在我国当代艺术中，符号化作品更加有“优势”，无论是艺术家自己创造的符号，还是画面中符号所体现的象征寓意，都在当代艺术中“欢腾”，被人们所推崇。同时，社会化也在无形中影响着当代艺术的发展，艺术发展的背后隐藏着看不见的“手段”。当代艺术作品也同样需要这种方式以此推动符号化作品的发展，符号化作品成为当代艺术中一种特有的现象。

목차

<論文摘要>
Ⅰ. 序论
Ⅱ. 符号概念及发展溯源
1. 概念及具体表现
2. 艺术中的符号化体现
Ⅳ. 中国当代艺术的符号作用机制
1. 方力钧与他的光头形象
2. 岳敏君与他的“嬉笑的人
Ⅴ. 结论
<參考文獻>
ABSTRACT

키워드

저자

• 赵政 [ 조정 | 京畿大學校 ]

참고문헌

발행기관

간행물

표지보기 관심저널 등록

• 간행물명

  동양예술 [Oriental Art]

• 간기

  계간

• pISSN

  1975-0927

• 수록기간

  2000~2026

• 등재여부

  KCI 등재

• 십진분류

  KDC 600 DDC 700