Earticle

초록

영어

This study focuses on the completed expression of square that is centripetal, which is conflicted with the emphasis of ‘function’ and its ‘free plan’ that is centrifugal, in modern private housings designed by a lot of avant-garde who have a new creative free-will at the turn of the century, and tries to relate it with the meanings of modernity, and finally to comprehend the meanings with the cognition of individual ‘self’ as existential contexts. As a result, like scientists, philosophers or theologians in the process toward a new modernity, modern avant-garde artists undoubtedly seems to find fundamentally new existential self in common since the beginning of intellectual quest on the underlying problem of God and Humane. Thus naturally, they were awakening themselves as human having ‘free-will’ ultimately like God, and they reached a new recognition and confidence in the ‘divine’ creativity of modern existential self.

목차

Abstract
1. 서론
2. 휴머니티와 신적 자유-의지의 창조성
2.1 신적 창조성과 예술의지(Kunstwollen)
2.2 근대적 ‘자아’ 의식과 정사각형의 표현
2.3 ‘입방체’의 실존주의적 의미와 통일성
3. 실존주의 교육사상과 유기체 철학
3.1 근대 창조성 교육과 유기적 통일성
3.2 근대 ‘유기체’ 관념과 건축 이론
4. 결론
REFERENCES

키워드

저자

• 오장환 [ Oh, Zhang-Huan | 부경대학교 공과대학 건축학과 교수, 공학박사 ] Corresponding Author

참고문헌

발행기관

간행물

표지보기 관심저널 등록

• 간행물명

  대한건축학회연합논문집 [Journal of the Regional Association of Architectural Institute of Korea]

• 간기

  격월간

• pISSN

  1229-5752

• 수록기간

  1999~2026

• 등재여부

  KCI 등재

• 십진분류

  KDC 540 DDC 690