『史記』 「屈原賈生列傳」을 통해서 본 司馬遷의 치유적 글쓰기 전략 - 發憤과 憐愍의 승화적 차원을 중심으로 -
Sima Qian’s Healing Writing Strategy in the “Biographies of Qu Yuan and Jia Sheng” in the Records of the Grand Historian 『사기』 「굴원가생례전」을 통해서 본 사마천의 치유적 글쓰기 전략 - 발분과 연민의 승화적 차원을 중심으로 -
This study examines the expressions of resentment (怨) and rage (憤) in Sima Qian’s “Biography of Qu Yuan and Jia Sheng” (屈原賈生列傳) in the Records of the Grand Historian. The examination reveals that Sima Qian’s choice of biographic subjects and narrative techniques can be understood as the writer’s efforts to heal his own psychological trauma caused by wrongful imprisonment and castration. Sima Qian chose Qu Yuan (屈原 c. 340–278 BC) and Jia Sheng (Jia Yi 賈生 c. 200-169 BC) as biography subjects and depicted them as tragic heroes. The writer expressed his deep sympathy for Qu Yuan and Jia Sheng, who lived unfortunate lives suffering from false accusations made by people jealous of their outstanding literary talents. The author used a river motif and paralleled the lives of Qu Yuan, Jia Sheng, and himself in the work. Qu Yuan weighed himself down with a stone and committed suicide by wading into the Miluo River. More than a hundred years after Qu Yuan’s death, during the Han Dynasty, Jia Sheng went to the Xiang River and wrote a funeral oration for the river to mourn Qu Yuan. Sima Qian also went to the Xiang river and mourned the two with tears. He highlighted a literary setting—a river—to enable readers to identify the three as tragic heroes. He also used Jia Sheng’s reading about Qu Yuan and his own readings about the two people to explore the nuances of empathy. This characterization is Sima Qian’s strategy to reveal himself as a tragic hero similar to the famous two from the past and evoke readers’ sympathy.
목차
Ⅰ. 서론 Ⅱ. 發憤의 산물인 屈原의 작품에 대한 사마천의 교감의식 Ⅲ. 憐愍의 산물인 賈生의 작품에 대한 사마천의 감정이입 Ⅳ. 결론 참고문헌 논문초록
키워드
굴원가생치유적글쓰기 전략연민발분감정이입Qu YuanJia Shenghealing the psychological traumanarrative techniquesStratagy of Writingfalse accusationssympathy
동북아시아문화학회 [The Association of North-east Asian Cultures]
설립연도
2000
분야
복합학>학제간연구
소개
동북아시아 문화의 다양성과 정체성을 연구 토론하고, 지역내 문화 교류의 다양한 모습을 연구하고 문화변동의 큰 틀을 집적함으로써 우리 민족 문화 및 상대 민족의 문화적 터전을 이해하여 문화공동체적 특성을 계발하고 상호 관련성의 강화를 유도하는 학술활동을 통해 동북아시아의 문화발전에 이바지함.