Earticle

초록

영어

Film is a realization of dream through technology. The same is true of filming an locality. The problem is who is the subject of this dream. In many films that represent Busan, the subject of this dream is often capital, and the local and local people are alienated as the other. It is not only in cinematic representation, the world before the film is already divided and partitioned through the eyes of capitalism. It can be said that ‘the distribution of the sensible’ following the ‘representative regime’ mentioned by Ranciere. In that sense, “A Midsummer’s Fantasia” creates a new meaning and affection about space through the new way of making story. This film takes the form of experiencing production and creation by revealing instead of concealing the process of representation. It basically starts with acknowledging that Gojo is a space of 'nothingness'. By acknowledging its otherness, the film engages in an interactive relationship with others in the filming process and structurally is expressed in juxtaposition of documentary and fiction. Through this process, the locality of Gojo is expanded, revitalized, and deepened into the creation of story and love. This process is the realization of the dreams overlapped on the space of real residents living in Gojo. The film does not consume the landscape, history, and people living there. Thus, it is represented both as a space of ‘nothingness’ and a space where dreams are realized, and there’s physically ‘nothingness’ is changed a possibility of projecting anything like a pure white screen. Though this film is not too big success as like block buster, there are some tourist to visit Gojo after seeing this film, and they have found nothing in Gojoshi. However, nothing at this time does not mean meaninglessness or worthlessness. Most importantly, it is the meaning of this film to those who live in Gojo. By this movie, the local people who said that it was "a village without a special thing" found this town to be a special place.

목차

Ⅰ. 부산의 영화적 재현과 타자화의 문제
Ⅱ. 아무 것도 없음의 가능성
제1장. 이야기의 결핍과 탐색담
제2장. 타자의 자리에서 대화적으로 탐색하기
Ⅲ. 장소성의 발견과 확장
제1장. 현실과 허구의 경계짓기/연결하기
제2장. 사랑과 이야기, 미완의 완성
Ⅳ. 결론
참고문헌
논문초록

키워드

장소성 재현 부산 영화 탐색담 재현의 체제 감각적인 것의 분할 locality representation Busan film quest story the representative regime distribution of the sensible

저자

• 윤지영 [ Youn, Ji-Young | 동의대학교 한국어문학과 부교수 ]

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