Earticle

초록

영어

As the main concept of Homi Bhabha’s postcolonialism, hybridity refers to the area on the borderline overlapping between contrary concepts such as white/black, colonizer/colonized, and west/east which was used to justify Western domination over the East. Hybridity is also presented as ‘in-between’ space, interstitial passage, and ‘beyond’ borderline in Bhabha’s postcolonialism and can have the role of resistance in such dichotomy focusing on the third space/area on the borderline. This study aims to probe into a variety of aspects of hybridity through character, space and so on in On Such a Full Sea. In this novel, the protagonist Fan is a symbol of hybridity as a resistant character who has free will and explores her own future and B-Mor is another symbol of hybridity as an ‘in-between’ space between ‘Charter’ and ‘open countries’. Furthermore, Changrae Lee presents various aspects of hybridity through time, geography, and a narrative voice. Through describing the resistance of hybridity, Lee suggests that individuals should recognize the ‘in-between’ spaces which can be the resistance area to break the dichotomy and the power of community of ‘individuals’ not a single ‘individual’.

목차

I. 들어가는 말
II. 『만조의 바다 위에서』에 나타난 혼종성
1. 혼종성의 공간, 비-모어(B-Mor)
2. 혼종성의 인물, 판
3. ‘경계 허물기’로서의 혼종성 양상
III. 연대를 향한 판의 여행
IV. 나가는 말
Works Cited
Abstract

키워드

이창래 공동체 호미 바 바 혼종성 『만조의 바다 위에서』 탈식민주의 Chang-rae Lee Community Homi Bhabha Hybridity On Such a Full Sea Postcolonialism

저자

• 신혜정 [ Shin, Hyejeung | 경희대학교, 객원교수 ]

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