The purpose of this study is to review the activities and the development process of the Japanese who are leading the commercialization business and the box office business, which is emerging as a new business in the Korean film industry during the Japanese colonial period. The film came to Korea as a symbol of modernization and spread quickly. This means that the world almost experienced the intensive product of the modernization of the film at the same time, and that the Joseon which was undergoing colonization also did not escape from this flow. People's support for movies has been enthusiastic and has grown into a popular culture, as movies are appreciated as a popular entertainment of the new era. I would like to point out the limitations of existing studies on the Korean film industry as recognizing the existence of Japanese people as 'rulers' rather than 'businesses'. It is also argued that this perception has not been able to properly assess the impact of the Japanese reigns on the Korean film industry at the time.
동북아시아문화학회 [The Association of North-east Asian Cultures]
설립연도
2000
분야
복합학>학제간연구
소개
동북아시아 문화의 다양성과 정체성을 연구 토론하고, 지역내 문화 교류의 다양한 모습을 연구하고 문화변동의 큰 틀을 집적함으로써 우리 민족 문화 및 상대 민족의 문화적 터전을 이해하여 문화공동체적 특성을 계발하고 상호 관련성의 강화를 유도하는 학술활동을 통해 동북아시아의 문화발전에 이바지함.