Earticle

초록

영어

This paper explores the Korean boom from the point of view of translation criticism, by analyzing reviews of translated Korean works appearing in the New York Times. In order to contextualize these findings, the paper begins with a presentation of the results of a corpus-based study of reviews of all translated works appearing in the New York Times in three specific years: 1900, 1950, and 2000. The comparative study of these corpora looked specifically at the source languages and domains of the translated works reviewed, the profiles of the reviewers (with knowledge of the source language or not), as well as the presence of translation criticism, and, when present, the nature of that criticism. The general findings from those years will provide the backdrop for an analysis of Korean works in translation during the so-called boom. While displaying increased visibility for translators, the reviews of translated Korean works also reflect continuing uncertainty over who should review translated works and how to discuss translation quality. The results of the study suggest the need for broad-based translation literacy and for specific guidelines on how to review translated works.

목차

ABSTRACT
 1. 한류의 시작
 2. 한류의 NEXT WAVE
  1) 엔터테인먼트 산업의 근간이 되는 한국문화의 특징은 무엇인가?
  2) 예술적 상상력과 과학기술
  3) 4차 산업혁명으로 예견되는 미래 엔터테인먼트(자율주행, 로봇, 드론, AI)

저자

• Brian James Baer [ Kent State University ]
• 송승환 [ PMC 프로덕선 예술총감독 ]

참고문헌

발행기관

간행물

표지보기 관심저널 등록

• 간행물명

  한국외국어대학교 통번역연구소 학술대회

• 간기

  반년간

• 수록기간

  2016~2026

• 십진분류

  KDC 717 DDC 400