Earticle

초록

영어

Wolf Warrior 2 is a 2017 Chinese main melody Film directedby starring action star Wu Jing, who also starred in the lead role. Now it is China’s top grossing film and the 54th highest grossing film world wide. With a total domestic gross of CN¥5.68billion(USD$874million), the film having exceeded North America's totals from Avatar , Titanic and Jurassic World, become the second highest-grossing film of all-time in a single market only behind Star Wars: The ,Force Awakens . The film is a sequel to 2015's Wolf Warrior which tells a story of a loose cannon Chinese s oldier named Leng Feng who adventures journey to rescue com patriot s and local friends in a war-torn region of Africa occupied by insurgents and mercenaries. In 1987, China first proposed the concept of “main melody film”. The conference pointed out that “The realistic themes reflecting the spirit of the era and the revolutionary historical themes that express the splendid achievements of the party and army are the main melody works, which should carry forward the national spirit. Government must take effective measures to prosper these two theme films”. China's main melody film has formed its own unique narrative system and operating mechanism and has always been the subject of Chinese film research. as an important means of mainstream ideology and values, the main melody films have been responsible for the communication of socialized ideology and the national image. At the same time, it also needs to have artistic aesthetics. Wolf Warrior 2 received general praise for its patriotic plot, special effects, action sequences and the cast's performances, also received high praise from China's state-owned and military-affiliated media. It becomes a valuable research topics and cultural phenomenon because it has enabled western countries to recognize the type and characteristics of Chinese main melody film. Therefore, this article will analyze the cultural characteristics and artistic expression of Wolf Warrior 2 based on the text analysis and visual language theory, combined with film expression methods such as story, narrative techniques, photographing techniques and CG effect to evident how it combines the narrative modes of Hollywood-type movies with Chinese local themes to conveys the current mainstream values of China in the combination of disasters, wars, and kung Fu.

목차

Abstract
 1. 绪论
 2. 研究对象
 3. 主旋律电影的概念及内涵
 4.《战狼2》的文化性
  4.1 军事文化的影视再现
  4.2 国家形象的构建
  4.3 爱国主题的民族化表达
 5.《战狼2》的艺术性
  5.1 类型上的杂糅
  5.2 叙事上的好莱坞“文本性参照”
  5.3 动作视效真实化
 6. 结论
 参考文献
 About the Authors

키워드

저자

• 丁智擘 [ 정지벽 | 影像内容学院, 东西大学 ]
• 张梦琪 [ 장몽기 | 设计学院, 东西大学 ]
• 宋承根 [ 송승근 | 影像内容学院, 东西大学 ] Corresponding author

참고문헌

발행기관

간행물

표지보기 관심저널 등록

• 간행물명

  Journal of China Studies

• 간기

  계간

• pISSN

  1975-5902

• eISSN

  3022-5590

• 수록기간

  2006~2026

• 등재여부

  KCI 등재

• 십진분류

  KDC 912 DDC 951