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국가권력의 미디어, 일본 육군성 보도부의 전쟁기록화 - 일본 육군성 보도부와 GHQ의 전쟁기록화 정책
The Military Art Related Policies in the Japanese Army News Service and GHQ
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- 발행기관
- 동북아시아문화학회 바로가기
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- 간행물
- 동북아 문화연구 KCI 등재 바로가기
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- 통권
- 제55집 (2018.06)바로가기
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- 페이지
- pp.207-222
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- 저자
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- 언어
- 한국어(KOR)
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- URL
- https://www.earticle.net/Article/A332654
※ 원문제공기관과의 협약기간이 종료되어 열람이 제한될 수 있습니다.
원문정보
초록
- 영어
- The Military Art Related Policies in the Japanese Army News Service and GHQ Kim, Jee-Hyun The Imperial Japan mobilized artists systematically to produce military documentary art records under the slogan of ‘paintbrush patriotism’, which means to repay the country with paintings, as Sino-Japanese War began to take shape. The paintings created at that time were acknowledged by the public through the exhibition of warfare paintings. In the process, the war was embellished as a holy war and the Newspaper Group of the Army was at the center of the state power, controlling and planning all these procedures. The Newspaper Group was established in 1919 as the Minister of the Army and was responsible for boosting the fighting spirit with the propaganda campaign, media control and censorship. In particular, it suggested that the war of ideology and the was of weapons were considered as the same and recognized the necessity for a state organization which controls the unified propaganda policy. Art existed to promote the power effectively. From the point of view of power and art, the military as the principal agent of the state power, was the patron to artists and provided them with painting supplies, recommended models and locations, and proposed painting themes. This paper examines the roles and purposes of the military record paintings which were produced under the policy of the military record paintings of the Newspaper Group of the Army. It considers the art which was urged by the country, and examines the collection of battle pictures of GHQ and the process of transferring to the USA from October 1945 to July 1951. It also reviews the continuity of the nature of war which emerges from the cutoff of creating war paintings.
목차
Ⅰ. 머리말
Ⅱ. 육군성 신문반의 화가협회조직
Ⅲ. 육군성 보도부의 전쟁기록화 정책
Ⅳ. 패전이후 전쟁기록화의 단절과 연속성
Ⅴ. 맺음말
참고문헌
논문초록
키워드
전쟁기록화 육군성보도부 종군화가 프로파간다 국가권력 The Military Art Army News Service War Corresponder Propaganda the power of the state저자
간행물 정보
발행기관
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- 발행기관명
- 동북아시아문화학회 [The Association of North-east Asian Cultures]
- 설립연도
- 2000
- 분야
- 복합학>학제간연구
- 소개
- 동북아시아 문화의 다양성과 정체성을 연구 토론하고, 지역내 문화 교류의 다양한 모습을 연구하고 문화변동의 큰 틀을 집적함으로써 우리 민족 문화 및 상대 민족의 문화적 터전을 이해하여 문화공동체적 특성을 계발하고 상호 관련성의 강화를 유도하는 학술활동을 통해 동북아시아의 문화발전에 이바지함.
간행물
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- 간행물명
- 동북아 문화연구 [Journal of North-east Asian Cultures]
- 간기
- 계간
- pISSN
- 1598-3692
- 수록기간
- 2001~2026
- 등재여부
- KCI 등재
- 십진분류
- KDC 910 DDC 950
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