金明國의 丙子ㆍ癸未通信使行 활동작품 분석 - <達磨圖>ㆍ<蘆葉達磨圖> 중심으로 -
Kim Myeong Kuk of Byeongja Dispatch (1636) and Kyemi Dispatch (1643) of the Figure research activities 김명국의 병자ㆍ계미통신사행 활동작품 분석 - <달마도>ㆍ<노엽달마도> 중심으로 -
This dissertation explores a comprehensive study of painters accompanied by Chosun Tongsinsa who are dispatched to Japan in the late Chosun Dynasty. 16-17 century Japanese Zen Buddhism was in fashion. In particular, especially Zen Buddhism [Dharma a Figure] was like. Kim Myeong Kuk of Byeongja Dispatch (1636) and Kyemi Dispatch (1643), is an active painter. He is work in Japan was taste. He is background characteristics of the work will not. With minimal brush strokes that are drawn to the Dharma a Figure. In addition, the percentage figure was composed of the perfect. He is Dharma a Figure painting in Japan was a better picture. Of He is [Dharma a Figure] investigated the Japanese. He is Japan's demand for Kyemi Dispatch (1643) is second only to. Kyemi Dispatch (1643) He is to the Japan Shipbuilding and were asked to send the same people. Was asked indirectly. However, in 1662 to send the said Kim Myeong Kuk. Was asked directly. 26 years after the year 1662 from 1636 hours. He is popular figure in Japan and Korea fashion that the first is a painter. He is Zen Buddhism in Japan, many will be left behind the picture. But that will resolve the current Zen Buddhism of Kim Myeong Kuk jeomppunyida Figure 15. However, this figure is not accurate. Simply a picture of Kim Myeong Kuk is the picture portrayed. Zen Buddhism in Japan and seemed to figure. He is was treated in Japan. He is evaluating all these people are talking about the activities in Japan. He is evaluating the People of God and was called Figure skills. Paper, Kim Myeong Kuk of Byeongja Dispatch (1636) and Kyemi Dispatch (1643) is to look at the pictures. Of Zen Buddhism in Figure 15, 1/3 of the numbers shown [Dharma a Figure] were studied. Showed a typical four points. He is ahead of the rest of the Zen Buddhism will analyze the painting.
목차
Ⅰ. 머리말 Ⅱ. 김명국 禪畵에 대한 일본 측의 求請 배경 Ⅲ. 김명국의 일본 활동작품, <達磨圖>ㆍ<蘆葉達磨圖> 분석 Ⅳ. 맺음말 <參考文獻> Abstract
키워드
Painters accompanied by TongsinsaKim Myeong KukByeongja DispatchKyemi DispatchNational ceremonial archives.
동북아시아문화학회 [The Association of North-east Asian Cultures]
설립연도
2000
분야
복합학>학제간연구
소개
동북아시아 문화의 다양성과 정체성을 연구 토론하고, 지역내 문화 교류의 다양한 모습을 연구하고 문화변동의 큰 틀을 집적함으로써 우리 민족 문화 및 상대 민족의 문화적 터전을 이해하여 문화공동체적 특성을 계발하고 상호 관련성의 강화를 유도하는 학술활동을 통해 동북아시아의 문화발전에 이바지함.