Earticle

초록

영어

Tejaprabha Buddha, Constellational Faith of Buddhist came to actively reflect the taste of the general people along with the stream of time since its transmission to the Korean Peninsula from China. In Korea, the identity of Tejaprabha Buddha faith as Constellational Faith of Buddhist, as it was mixed with Constellational Faith of Taoism along with Bhaisajyaraja and the multiple divine guardians of the Dharma faith(神衆信仰) along with the stream of time, accordingly, it is consistently perceived by the general people so far as Big Dipper faith, misunderstood as a belief to wish fortune revealed among people. Since Buddhist art, as a religious art, differs the iconology along with the change of faith, Tejaprabha Buddha iconology also showed a process of several changes in appearance along with change of faith. History of Changshin-dong Anyang-am of Jongno, Seoul, built in 1889, shows a similar stream to rapidly changing modern Buddhism. During the late 19th century, when Buddhist monks’ religious activity was prohibited in the capital city, the Buddhist idea with strong characteristic of Confucianism, Buddhism, Taoism(儒佛道) three religions’ fusion(三敎融合的) of military (naval) officer groups(武任), who searched for their social role in Seoul relying on Buddhism became the background of foundation of Anyangam. The iconologies of Tejaprabha Buddha and the Big Dipper displayed in Anyang-am Geumryunjeon, are significnat in respect of showing various characteristics of Tejaprabha Buddha of modern period Seoul, which displayed intensive affinity with Taoist Constellational Faith, compared to the province. Enshrinement of Bhaisajyaraja in Chilseongjeon along with Bhaisajyaraja while building a small Buddhist temple indicates transmission of the characteristic of Tejaprabha Buddha faith, identified with early Joseon Yaksayeorae, to the modern period. Also, putting Chilseongwongun made of clay(塑像) in temple building shows the tradition of picture each part of the Big Dipper(七星各部圖), which rapidly emerged as the characteristic of Sinjung of mid Joseon. Also, 2 pieces of The Descent of Tejaprabha Buddha, which show the aspect of Gwanu faith(關聖信仰), gained popularity of the publid during the modern times, are enshrined in Anyang-am Geumryunjeon along with Tejaprabha Buddha and Chilwonseonggun(七元星君). Accordingly, iconology of Tejaprabha Buddha of Anyang-am is significant in respect of showing the change process of Tejaprabha Buddha faith of Joseon with art work. Gosandang Chugyeon, who painted Anyang-am Tejaprabha Buddha painting, bravely painted works reflecting the social atmosphere of modern times, without following the mode of the period when the painting style was handed down. He created differentiated Tejaprabha Buddha painting, reflected with the existing Tejaprabha Buddha iconology of Seoul area and Gwanu faith, which gained popularity by the people, through the Descent of Tejaprabha Buddha of Anyang-am, located nearby Dongmyo(東廟), where Gwanu is enshrined. The researcher considers that the value of the Descent of Tejaprabha Buddha can be highly estimated, in respect that it shows the trace of Gwanseong-gyo(關聖敎), melted into the temple, founded based on the idea of three religions’ fusion in Seoul as an empirical case.

한국어

1889년에 창건된 서울 종로 창신동 안양암의 연혁은 급변하는 근대기 불교계의 변화와 행보를 같이 한다. 도성에서 승려들의 신앙 활동이 금지되었던 19세기말, 서울에서 불교에 의탁하여 사회적 정체성을 찾고자 하였던 武任집단들의 儒 佛道 삼교융합적 불교사상이 안양암 창건의 사상적 배경이 되고 있었다. 안양암 치성광여래와 칠원성군 조상들은 도교 성수신앙과 강한 친연성을 나타내었던 근대기 서울의 치성광여래 신앙의 다양한 특징을 가지고 있다. 안양암 금륜전의 칠원성군 소상들은 서울의 사찰에서 칠성의례가 도교 성수초례로 이해되고 있는 신앙의 지역적 특징을 반영하는 유물이다. 사료를 통해서만 검증되었던성신조상을 실증하는 작품이라는 사실과 더불어 소격서에서 성신을 조상으로 만들어 모셨던 전통을 확인할 수 있다는 점에서 안양암 칠원성군소상들의 가치는크다. 관우가 모셔져 있는 동묘와 지척의 거리에 위치한 안양암 금륜전에 소장된 20 세기 초반 치성광여래 강림도 2점은 신앙의 변화에 따라 도상이 만들어지는 신앙과 도상의 유기적 관계를 보여준다. 이 그림을 그린 고산 축연은 설법회도라는시대적 양식을 벗어나 근대기 민중적 호응을 얻었던 관성신앙을 적극적으로 수용하여 강림도 형식으로 그림을 그렸다. 근대기 서울지역에서 삼교융합적 사상을배경으로 창건되어진 사찰에 녹아든 관성교의 흔적을 실증적인 예로 보이고 있다는 사실에서 안양암 치성광여래 강림도의 가치는 높게 평가될 수 있을 것이다

목차

Ⅰ. 序論
 Ⅱ. 근대기 서울지역 치성광여래 신앙과 도상
 Ⅲ. 안양암 금륜전 치성광여래와 칠원성군상
 Ⅳ. 안양암 금륜전 치성광여래강림도
 Ⅴ. 結論
 참고문헌
 국문초록
 ABSTRACT

키워드

저자

• 정진희 [ Jung jin hee | 문화재청 문화재감정위원 ]

참고문헌

발행기관

간행물

표지보기 관심저널 등록

• 간행물명

  서울학연구 [The Journal of Seoul Studies]

• 간기

  계간

• pISSN

  1225-746X

• 수록기간

  1994~2018

• 십진분류

  KDC 911 DDC 951