Mt. Fuji as the ‘symbol of Japan’ began to receive domestic and international attention as it was appointed as a ‘world cultural heritage’ on June 22. In this paper, two aspects of ‘crisis of Mt. Fuji’ seen through special effect works of Japan and the meaning of its conclusion were discussed, examining the point of contact with Mt. Fuji, which was simultaneously approved for national symbolism and value as a world heritage. Since the past until present, Mt. Fuji has frequently appeared in TV dramas and films of Japan that used special effect techniques. This paper will focus on the five works. First is an old joint production film between JapanGermany titled New Land(1937). Tsuburaya Eiji, the best special effect producer of Japan who founded the Tsuburaya Productions, participated in the film for special effect techniques. Next are two works of ‘Ultra Series’, a special effect TV drama that led the booming of special effect works in 1960s and 1970s, named SOS Mt. Fuji (1966.2.13 and Monster Standing on Mt. Fuji(1972.1.28). Lastly, two films based on an original work by Komatsu Sakyo, Sinking of Japan(1973) and its remake produced in 2006, were examined. These works have a common setting called ‘crisis of Mt. Fuji’ created by special effects. However, there are two contrasting aspects in the end: Mt. Fuji rescued from crisis (two works of ‘Ultra Series’ and the remake of Sinking of Japan) and Mt. Fuji not rescued until the end (New Land and Sinking of Japan(1973)). But interestingly, all works again share in common the fact that they ultimately end by showing ‘Japan that has not come to its end’. Yet, an important message can be seen here about national symbolism and global value of Mt. Fuji. That is, crisis of Mt. Fuji is not simply a disaster of Japan but a global disaster. In other words, peace of Mt. Fuji, the symbol of Japan, is led to peace of the world. The subject of ‘crisis of Mt. Fuji’ used in special effect works of Japan for over half a century is settling as a symbol of ‘eternal Japan’ and at the same time being extended as a discussion on global peace, regardless its end. This is connected to the current state of Mt. Fuji, which was officially acknowledged for its value as the symbol of Japan to be protected by the world.
목차
ABSTRACT 1. 머리말 2. 후지산의 위기와 '끝나지 않는 일본' - 《새로운 땅》(1937년) 3. 일본의 재건과 세계의 평화 - '울트라시리즈'의 후지산 4. '일본'과 '세계'의 후지산의 계보 - 두 편의 《일본침몰》 5. 맺음말 참고문헌
키워드
Special Effect Workscrisis of Mt. FujiNew LandUltra SeriesSinking of Japan
본 한국일본학회는 일본관련 학회로는 1973년에 한국 최초로 성립되어 2015년 3월 현재 가입회원수 기준 1000여명에 달하는 방대한 학회로 발전하였다. 본 학회는 일본어학 및 일본학은 물론,일본의교육,사상,역사,민속 등 일본학 전반에 걸친 연구와 한일간의 일본학 전반에 걸친 비교 연구를 대상으로 하는 학회로서 회원들의 연구기회 제공과 정보의 교류를 주된 목표로 하고 있다. 분회 발표를 포함하여 매년 20회 가까운 학술발표회와 국제학술대회를 개최 함으로서 발표 기회의 제공과 함께 회원 상호간의 친목 도모의 장으로도 활용하며 건전한 학회발전을 지향하고 있다.