This paper shall examine the Osaka artist Tokei Niwa, more commonly known as Kihiei Daikokuya (1760~1822). Niwa is recognized as a Kamigata (Kyoto and Osaka) genre painter who completed illustrative works in such books as the “Meisho Zue” (Guidebook of Sights) and “Kyoka” , books of comical Tanka or 31 syllable Japanese poems. However it is interesting to note that as far as original paintings of the artist, only the three works have been introduced: This paper is based on research conducted at Tokei Niwa’s family temple, “Entsuji Temple”. It shall include biographical research based on the artist’s family register of deaths. The paper will also introduce and consider settings for the completion of “Portrait of Kogaku‐taishi; Patriach of Honen Buddhism” (unofficial title given to a colored silk hanging scroll) and “Drawings of Landscapes” (unofficial title given to a work using Indian ink over 4 frames of fusuma, a traditional Japanese paper sliding door), two artistic works which have been handed down from generation to generation at Entsuji Temple but never introduced elsewhere. This paper, by observing painters from the Kyoto and Osaka area through the artist, Tokei Niwa, as an example, will examine an aspect of the art world of pre‐modern Osaka painting
동북아시아문화학회 [The Association of North-east Asian Cultures]
설립연도
2000
분야
복합학>학제간연구
소개
동북아시아 문화의 다양성과 정체성을 연구 토론하고, 지역내 문화 교류의 다양한 모습을 연구하고 문화변동의 큰 틀을 집적함으로써 우리 민족 문화 및 상대 민족의 문화적 터전을 이해하여 문화공동체적 특성을 계발하고 상호 관련성의 강화를 유도하는 학술활동을 통해 동북아시아의 문화발전에 이바지함.