Earticle

초록

영어

The aim of this paper is to investigate and clarify the basic concept(background) and generative power concerning why Korea is focusing its past traditional culture and how they are trying to reproduce it in spite of the fact that Korea is trying to overcome the negative sides of its history caused by Japanese colonialism and the Korean War. Especially, in the 1970s, by its drastic change in cultural policy Korean government seemed to provide a turning-point, from which Korean society recurred to its traditional culture. However, this paper analyses how the popular-based cultural movement, which continued to make frontal attacks upon the governmental policies, is the essential generative power for the recurrence to the traditional culture. The popular-based cultural movement perceived 'the mask drama as a popular/folk art'to be a traditional culture and made it play a symbolic role in their resistance. As the Korean government faced the resistance of the cultural movement, they had to build theirown cultural policy in haste. Korean government dreamed about the realization of true tradition and national identity based on Korean nation and its national culture, while the popular-based movement, on the populace and its culture. Although both sides have had repeated confrontations and struggles around the revitalization of Korean traditional culture, their final purpose was no other than the construction of national identity. This paper also analyses and describes how those conflicts between the two sides became one of the unique characteristics of Korean nationalism.

목차

I 서
 II 70년대이전の문화정책と민중문화운동
 III 저항시인김지하と「민중」문화운동の태동
 IV「민중」と「민중성」の구축
 V 70년대からの문화정책
 VI 결언
 주          
 참고문헌
 Abstract

키워드

저자

• 陳大哲 [ 진대철 | 愛知大學 ]

참고문헌

발행기관

간행물

표지보기 관심저널 등록

• 간행물명

  동북아 문화연구 [Journal of North-east Asian Cultures]

• 간기

  계간

• pISSN

  1598-3692

• 수록기간

  2001~2026

• 등재여부

  KCI 등재

• 십진분류

  KDC 910 DDC 950