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자본주의의 폭력과 진화에 대한 성찰 - 지아장커의 <천주정>을 중심으로
Introspection on the evolution and violence of capitalism - based on Jia Zhangke's <A touch of sin>

첫 페이지 보기
  • 발행기관
    동북아시아문화학회 바로가기
  • 간행물
    동북아 문화연구 KCI 등재 바로가기
  • 통권
    제53집 (2017.12)바로가기
  • 페이지
    pp.275-290
  • 저자
    박민수
  • 언어
    한국어(KOR)
  • URL
    https://www.earticle.net/Article/A317399

※ 원문제공기관과의 협약기간이 종료되어 열람이 제한될 수 있습니다.

원문정보

초록

영어
The purpose of this study is to examine ‘capitalist violence,’ which is revived in a movie, through figuring out the life in people of lower classes, and the process that they are adapted to and resist the world in Jia Zhangke's movie titled ≪A Touch of Sin≫. And through this exploratory process, the aim is to inquire into with which trajectory the director Jia Zhangke has implemented continuity and expandability reaching up ≪A touch of sin≫ in a theme dubbed a relationship between capitalism and human life, which had been expressed in his movies such as the existing ≪Xiao Wu≫ and ≪Still Life≫. Considering in conclusion, this study can be said to be a research on how it has been evolved the capitalist violence, which is reproduced in Jia Zhangke's movie ≪A Touch of Sin≫, and Jia Zhangke's view of capitalism, which had been revived in Jia Zhangke's series of the works. Firstly, this paper asks “where does the violence come from?” This paper is explored on the premise that the source of violence rises from the framework of capitalism and human life in the capitalist society. This paper is studied that the shock of the violence is powerful to the lower class because the violence is invisible and symbolic. This paper shows the naked face of modern China by looking at how the capitalism exercised the violence on the people. Secondly, the question is “what kind of device reproduced the violence?” This thesis analyzed the films of Jia Zhangke based on various cinematic devices and cinematic styles occurred in the movies. With the theme of 'violence and evolution of capitalism', this paper tried to present the relationship between the people in modern China and capitalism in Jia Zhangke film in tridimensional way. Regarding the process to illuminate the viewpoints about the capitalism in modern China while looking at the contact points with , this paper tried to study how ‘the evolution of capitalism’ occurred in Jia Zhangke’s films have been changed, which is the perception of Jia Zhangke about the capitalism.

목차

Ⅰ. 들어가는 말
 Ⅱ. 자본주의의 폭력
 Ⅲ. 폭력의 진화
 Ⅳ. 나오는 말
 참고문헌
 논문초록

저자

  • 박민수 [ Park, Min-Soo | 영남대학교 중국언어문화학과 강사 ]

참고문헌

자료제공 : 네이버학술정보

간행물 정보

발행기관

  • 발행기관명
    동북아시아문화학회 [The Association of North-east Asian Cultures]
  • 설립연도
    2000
  • 분야
    복합학>학제간연구
  • 소개
    동북아시아 문화의 다양성과 정체성을 연구 토론하고, 지역내 문화 교류의 다양한 모습을 연구하고 문화변동의 큰 틀을 집적함으로써 우리 민족 문화 및 상대 민족의 문화적 터전을 이해하여 문화공동체적 특성을 계발하고 상호 관련성의 강화를 유도하는 학술활동을 통해 동북아시아의 문화발전에 이바지함.

간행물

  • 간행물명
    동북아 문화연구 [Journal of North-east Asian Cultures]
  • 간기
    계간
  • pISSN
    1598-3692
  • 수록기간
    2001~2026
  • 등재여부
    KCI 등재
  • 십진분류
    KDC 910 DDC 950

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