Earticle

현재 위치 Home

<특집> 동북아 문화교섭의 역동성 - 류청로 교수 정년퇴임 기념 논문집 -

윤동주 시에 나타나는 만주, 한국, 일본에서의 공간인식의 양상 - <거리>를 중심으로
The Aspect of Recognition of Space in China, Korea, and Japan in Yoon Dongju's poem

첫 페이지 보기
  • 발행기관
    동북아시아문화학회 바로가기
  • 간행물
    동북아 문화연구 KCI 등재 바로가기
  • 통권
    제53집 (2017.12)바로가기
  • 페이지
    pp.19-31
  • 저자
    남송우
  • 언어
    한국어(KOR)
  • URL
    https://www.earticle.net/Article/A317385

※ 원문제공기관과의 협약기간이 종료되어 열람이 제한될 수 있습니다.

원문정보

초록

영어
There are a few thesis about the aspect of recognition of space in Yoon's poem. Nevertheless, there has been no thesis about space of his birth in China, and his study in Korea, and study in Japan in series and continuity. There are different levels in those spaces while there were colonized by Japan. So the thesis is focused on the recognition of space in three spaces as a same place. These is poem Street, which is based on China, Korea, and Japan. There are also peom On street based in China , Street with board in Korea (1941), and Flowing street in Japan (1942, 5, 12) Reflected upon three peoms, Street is centered on the writer of itself, while other two is rather developed focusing history and relationship with others. It aslo related with personal development and experience as an adult. In other points, the poet's view is developed from personal viewpoint to reality of the period. Time difference of three poems are quite huge but interestingly the time period is happened at night commonly. It seems quite personal interest of poet himself only focused on the night time for the poem background.Yoon dongju’s poem is based on the darkness in world view. Even he recognized that the opposite side is the light, the darkness is awakened before the light. The view is developed toward lightness through darkness. His recognition of world view focused on the darkness is related with his view in poem. It is also related with his religious view point with his world view and poem. The character of religious people is that they recognize the world as chaos rather than cosmos. Therefore the chaos of time and place is tended to replace with holy one instead. That is, the world is recognized from the chaos. The chaos is revealed as the darkness and this can be used as the background of his poem as night.

목차

1. 머리말
 2. 거리의 공간적 의미
 3. 개인의 고뇌와 공상이 투영된 거리
 4. 현실과 역사의식이 투영된 거리
 5. 낯선 도회공간에서 느끼는 외로움이 투영된 거리
 6. 밤의 시간이 함유한 의미
 7. 맺는 말
 참고문헌
 논문초록

키워드

공간 거리 중국 한국 일본 윤동주 space street china korea japan Yoondongju

저자

  • 남송우 [ Nam, Song-Woo | 부경대학교 국어국문학과 교수 ]

참고문헌

자료제공 : 네이버학술정보

간행물 정보

발행기관

  • 발행기관명
    동북아시아문화학회 [The Association of North-east Asian Cultures]
  • 설립연도
    2000
  • 분야
    복합학>학제간연구
  • 소개
    동북아시아 문화의 다양성과 정체성을 연구 토론하고, 지역내 문화 교류의 다양한 모습을 연구하고 문화변동의 큰 틀을 집적함으로써 우리 민족 문화 및 상대 민족의 문화적 터전을 이해하여 문화공동체적 특성을 계발하고 상호 관련성의 강화를 유도하는 학술활동을 통해 동북아시아의 문화발전에 이바지함.

간행물

  • 간행물명
    동북아 문화연구 [Journal of North-east Asian Cultures]
  • 간기
    계간
  • pISSN
    1598-3692
  • 수록기간
    2001~2026
  • 등재여부
    KCI 등재
  • 십진분류
    KDC 910 DDC 950

이 권호 내 다른 논문 / 동북아 문화연구 제53집

    피인용수 : 0(자료제공 : 네이버학술정보)

    함께 이용한 논문 이 논문을 다운로드한 분들이 이용한 다른 논문입니다.

      페이지 저장