In order to develop nail art design, theoretical consideration was provided according to literature and previous studies. In addition, five stained glass works applicable to nail art were selected and analyzed. Based on them as a motif, total five nail design works applied with stained glass technique were manufactured. The work named embodied the creation of light and water in the beginning, expressing live motions from a flow of light. Expressing a bending figure of lines and circular-shaped structure, it used many types of colors to emphasize splendid image and also expressed the beauty of curve as a part of characteristics. The work titled expressed a simple structure as well as staid colors as it was an artistic work with simple but geometric expression. It has emphasized the possibly simple art by adjusting the thickness of lines and expressed abstract art in the nail that Alwin Schmid intended to represent in his work. The work named expressed naturally shaped lines and petals as an art-nouveau work in a form that restrained from using the color as much as possible and also almost not painted on glasses. Full tip made a splendid flower in three-dimensional structure and expressed it. The work titled <14 Places> more resolutely used colors through partition of color and light. Detailed shape was omitted, and it was expressed with Christian symbolic of colors. Ordeal of Jesus, the world of heaven, revival of Jesus, light and truth, and life obtained by overcoming death were expressed in purple, blue, red, yellow, and green, respectively, on the nail art as a part of Christian message contained with colors. The work named combined cropped lines and shape of Korean words in the stained glass expressing major phrases in bible or parts of prayer in Korean words instead of describing particular shapes.
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ABSTRACT Ⅰ. 서론 Ⅱ. 이론적 배경 1. 스테인드글라스 2. 스테인드글라스 작품 고찰 Ⅲ. 연구 방법 Ⅳ. 연구결과 1. 작품 1(생명의 신비-조광호) 2. 작품 2(내가 너희를 낚는 어부가 되게하리라-알빈슈미트) 3. 작품 3(목련창-티파니) 4. 작품 4(24처-마르크) 5. 작품 5(오 주여 우리 주 예수-마르크) Ⅴ. 결론 참고문헌