The Historical Relationship between Hata Uji and Shilla Myojin Choi, Kyung-Jin․Kim, Sang-Gyu MINAMOTO Yoshimitsu had his coming-of-age ceremony in front of Shilla Myojin at Onjoji Temple in Otsu, and came to be alled Shillasaburou. There are many theories about the origin of Shilla Myojin, for eamples, (1) God for the coming over Korean Japanese since old times, (2) God for Otomo-suguri clan, (3) God appearing on the board of Enchin's returning ship from Tang to Japan, (4) God created to compete each other under the time of conflict between Tendai Sanmon sect and Jimon sect, (5) A simbolic God by Jang Bo-Go, but there is still a room for discussion with all these theories. Imajo·Nitta·Aketa of Shilla Myojin of enshrinement place are all mining districts, and we can see Hata clan's group community residence in the vicinity of the region. These characteristic factors are also matching to Shill Myojin, enshrined at Onjoji Temple in Otsu, so, the conclusion is that Hata clan worshipped a god of Shinra Myojin of Onjoji Temple, and MINAMOTO Yoshimitsu held his coming-of-age ceremony in front of the Shilla Myojin that is linked to Hata clan. If you look at historical records, we can realized that Hata clan was an iron manufacturing group. According to the Shosoin's(正倉院) register book in 8th century shows that 40 percent of registered people in the Tagawa and Nakatsu region had Hata related family name and the fact hat they created Todaiji Daibutsu in Nara during the reign of Emperor Shoumu Emperor by using the iron ores which was produded from Tagawa mines. In fact, Yoshiie, Yoshimitsu's elder brother also worshipped Shilla Myojin of Onjoji Temple and ASHIKAGA Takauji, the first Shogun in the Muromachi bakufu who is Yoshiie's descendant, constructed of Shinra Zenjin-do Hall in Onjoji Temple, which showed a strong connection with samurai Seiwa Genji clan.
동북아시아문화학회 [The Association of North-east Asian Cultures]
설립연도
2000
분야
복합학>학제간연구
소개
동북아시아 문화의 다양성과 정체성을 연구 토론하고, 지역내 문화 교류의 다양한 모습을 연구하고 문화변동의 큰 틀을 집적함으로써 우리 민족 문화 및 상대 민족의 문화적 터전을 이해하여 문화공동체적 특성을 계발하고 상호 관련성의 강화를 유도하는 학술활동을 통해 동북아시아의 문화발전에 이바지함.