A Study on Sakiyama Tami’s “UNZYUGA, NASAKI” ;about literal imagination for the succession of the memory So, Myung-Sun I consider literal imagination called the other world appearing in Sakiyama Tamai’s “UNZYUGA, NASAKI” in this paper. First, I clarifies what the writer tried to convey through the process that the narrator who entered the other world passing through the beach boundary between the reality and the other world finally comes to face many bones in ‘Q village’. Then, I analyze the relationship between the other world in the work and the real world. Like the thing which the file which is full of blanks symbolizes in a novel, Sakiyama casts doubts on the history of being recorded and documented. In order to inherit the memories of weathering war, she tries to listen to the voice of other historic others who cannot but remain silent as well as the testimony of the person who survived to succeed to memory of the weathering war. However, those who a narrator encountered in the other world only urge the narrator to remember their existence, they will not talk about themselves. The bones are silent as ever. The possibility is hidden in the substance called ‘Qmr cell’ which the narrator got through physical training in ‘Q village’. It is assumed that ‘Qmr cell’ is extracted only from the truth of the memory that the time of silence of the dead was fostered. The spread of those who internalized ‘Qmr cell’ mean that more people will listen the voice of historic others. Trying to listen to the silent witness's voice is that non-experiences are conscious of the relationship with historic others and continue internal dialogue. Sakiyama's thought of the other world can be said to be a literal method to inherit the memory of war and to understand the historic others excluded from the public history.
목차
1. 들어가며 2. 죽은 자의 세계(=이계)로 3. 기억의 기록화와 자료화의 이면 4. 타자 이해를 위한 방법 6. 나오며 참고문헌 논문초록
키워드
오키나와전투기억의 계승타자 이해이계‘Qmr세포’문학적 상상력Battle of Okinawasuccession of memoryunderstanding of othersthe other world‘Qmr cell’literal imagination
동북아시아문화학회 [The Association of North-east Asian Cultures]
설립연도
2000
분야
복합학>학제간연구
소개
동북아시아 문화의 다양성과 정체성을 연구 토론하고, 지역내 문화 교류의 다양한 모습을 연구하고 문화변동의 큰 틀을 집적함으로써 우리 민족 문화 및 상대 민족의 문화적 터전을 이해하여 문화공동체적 특성을 계발하고 상호 관련성의 강화를 유도하는 학술활동을 통해 동북아시아의 문화발전에 이바지함.