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殖民地夹缝中生长的都文化 - 1940年代日据上海的地方剧与女性文学书写
Urban Culture Growing in the Crevice : On Local Drama and Feminism Writing in Shanghai under the Japanese Colonial Rule in the 1940s
식민지협봉중생장적도문화 - 1940년대일거상해적지방극여여성문학서사

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  • 발행기관
    동북아시아문화학회 바로가기
  • 간행물
    동북아 문화연구 KCI 등재 바로가기
  • 통권
    제52집 (2017.09)바로가기
  • 페이지
    pp.229-242
  • 저자
    陶國山, 郭鉉淑
  • 언어
    중국어(CHI)
  • URL
    https://www.earticle.net/Article/A311489

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원문정보

초록

영어
The period that Shanghai was occupied by Japan in the early 1940s was a focal point of modern Shanghai, when the fall of the war and the development of urban culture had been in the crevice of the parallel space. During the period of Japanese colonial rule, the policy of high pressure did not completely block the development of culture; on the contrary, it gave birthto a new cultural pattern: the rise of feminism literature and the further development of pop culture. This not only allows us to have a deeper understanding of the development process of urban culture in Shanghai during the war, but also can be used as a way of thinking about the development of culture. At the general background of popular culture, this paper represented the analysis of drama, feminism literature during the Japanese occupation of Shanghai, which had been based on historical documents for reference, in order to certify the city culture and its development, trying to confirm that even in the period of Japanese occupation, Shanghai still maintains its own modernization path without interruption by Japanese colonial political repression. As one of the main themes of urban culture in the wartime, the drama connected the people’s everyday life and popular culture, demonstrating its’ own modern development and historical relation; While women’s participation with immense zeal and their active literary writing had stimulated the rise of feminism literature during the time of Shanghai as the isolated island. Generally speaking, the urban culture of Shanghai such as commercial consumption, popular life and feminism writing had been still further developed with their own social value and epochal significance, playing the necessary role in people’s daily life in the 1940s.

목차

1. 緖論
 2. 本論
  1) 日据时期上海城市文化生存语境:压制精英文化与放任通俗文化
  2) 上海戏剧的城市化与历史呈现
  3) 乱世书写的主力军— —女性作家
 4. 结论
 参考文献
 논문초록

키워드

상해 일본식민지 대중문화 드라마 페미니즘 문학 Shanghai under Japanese colonial rule Isolated Island Popular culture Drama Feminism literature

저자

  • 陶國山 [ 도국산 | 中国上海华东师范大学 中文系 副教授 ]
  • 郭鉉淑 [ 곽현숙 | 慶星大學校 韓國漢字硏究所硏究員 ]

참고문헌

자료제공 : 네이버학술정보

간행물 정보

발행기관

  • 발행기관명
    동북아시아문화학회 [The Association of North-east Asian Cultures]
  • 설립연도
    2000
  • 분야
    복합학>학제간연구
  • 소개
    동북아시아 문화의 다양성과 정체성을 연구 토론하고, 지역내 문화 교류의 다양한 모습을 연구하고 문화변동의 큰 틀을 집적함으로써 우리 민족 문화 및 상대 민족의 문화적 터전을 이해하여 문화공동체적 특성을 계발하고 상호 관련성의 강화를 유도하는 학술활동을 통해 동북아시아의 문화발전에 이바지함.

간행물

  • 간행물명
    동북아 문화연구 [Journal of North-east Asian Cultures]
  • 간기
    계간
  • pISSN
    1598-3692
  • 수록기간
    2001~2026
  • 등재여부
    KCI 등재
  • 십진분류
    KDC 910 DDC 950

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