Earticle

초록

영어

Commonly speaking, it 's not an easy thing for a movie which visualized a certain literary text to receive an exceeding evaluation than the original text itself. Though the audio-visual impression of video text is very strong, the original literary text can give deeper and louder resonance through invisible imagination and lingering echos. In that sense, it is very exceptional case that Ueda Akinari's novel, 『Ugetsu monogatari』(1776) gave a major influence not only to the Japanese modern writers but also to people of more generations and of wider ranks as transformed to the same named movie by Mizoguchi Kenj. As like Akinari's 『Ugetsu monogatari』 though based on Japanese classics and Chinese old stories, completely changed itself to a whole new work, Mizoguchi's movie, 《Ugetsu monogatari》(1953) also based on an original work, borrowing basic narratives, appropriately adding Mizoguchi-movie style artwork and historical characteristics, was re-born as a new work . This study examined that in the comparing viewpoint on narrative structures of original work and of the movie based on the work, dramatization of the original text to an audio-visual movie scenario had led to what kind of changes. Hopefully, through the comparison between narative structures of the original work and of the movie, and examining how Akinari's 『Ugetsu monogatari』had been interpreted , the original work could be understood better.

목차

Ⅰ. 들어가며
 Ⅱ. 원작 소설의 서사
  1. ｢아사지가야도｣- 가쓰시로와 미야기
  2. ｢자세이노인｣- 도요오와 마나고
 Ⅲ. 각색 영화의 서사
  1. 겐주로와 미야기
  2. 도베이와 오하마
 Ⅳ. 서사구조의 재구축
  1. 원작 서사의 차용과 변용
  2. 미조구치의 주제 비틀기
 Ⅴ. 나오며
 <참고문헌>
 要旨

키워드

저자

• 김경희 [ Kim Kyounghee | 한국외국어대학교 일본어통번역학과 강사, 일본문학 및 문화 전공 ]

참고문헌

발행기관

간행물

표지보기 관심저널 등록

• 간행물명

  日本思想 [일본사상]

• 간기

  연3회

• pISSN

  1229-9235

• 수록기간

  1999~2026

• 등재여부

  KCI 등재

• 십진분류

  KDC 153 DDC 181