Earticle

초록

영어

Lee Ju-Hwan(李珠煥), Sonam(韶南), was born on May 24 1909 in Gwansudong Jongno Seoul and passed away on November 30, 1972 in Donggyodong (now Changcheondong). Lee was a performance holder of Intangible Cultural Property No. 30 Gagok (Unesco Intangible Cultural Heritage) and No. 41 Gasa, and served as the first director general of National Gugak Center (formerly, National Center for Korean Traditional Performing Arts) as well as the first principal of Gugaksa yanseongso, the training center for gugak musician (now Gugak National High School). In other words, Lee was an artist, music administrator, and educator at the same time. Lee actually was trained as a piri performer but later he dedicated his whole life for gagok singing. Moreover, he was the only singer who raised next generation musicians succeeding his mentor Ha Gyu-il. This paper highlighted works done by Lee Ju-Hwan by exploring Lee’s teaching methodology and system, including his own notation, scores, and rewritten verses. First, this research revealed that Lee had transmitted gagok in various institutions, such as Yiwangjik aakbuwon yangseongso, Gwonbeon, Gugaksa yangseongso and more. Among the institutions above, Gugaksa yangseongso was the most influential in transmitting gagok singing. Bearing the level of difficulty of songs in his mind, Lee began with when teaching students in order to train breathing, ornamentation, and rhythmic patterns. Secondly, Lee’s gagok score not only was used to pass down the music, but also enabled him to teach many people at one time. Also, publishing gagok score provided the basis of studying the music. Thirdly, Lee often sung poetries written by famous literati for his beginning repertoire, and chose didactic poetries to teach ideas of devotement, belief, and service to his students. These three words were the lesson of Gugaksa yangseongso, and now are set for the school motto of Gukak National High School. Finally, Lee emphasized the basic line of the music with limited ornament in melodies because he considered the basic learning important.

한국어

소남(韶南) 이주환(李珠煥)은 중요무형문화재 제30호 가곡과 제41호 가사의 예능보유자였으며, 국립국악원장 그리고 국악사양성소장을 역임하였다. 즉 그의 삶은 예술가․행정가․교육자로 요약될 수 있다. 본래 이왕직아악부원양성소에서 전공은 피리였으나 후에 가곡으로 전공을 바꾸었고, 종신토록 가곡을 전공으로 삼았다. 그는 하규일에게 가곡을 학습하여 후진을 양성한 유일한 선가(善歌)였다. 이 글은 가곡 전승을 위해 노력한 이주환의 업적을 조명한 글이다. 내용은 이주환이 가곡을 전승한 경로와 가곡을 가르친 순서, 가곡을 가르치기 위해 만든 가곡보의 파급 효과, 가곡의 노랫말을 바꾸게 된 배경, 가곡보의 특징 등에 대하여 논증하였다.

목차

국문요약
 Ⅰ. 서론
 Ⅱ. 소남 이주환의 가곡 전수
 Ⅲ. 소남 이주환의 가곡보 등간
 Ⅳ. 소남 이주환 가곡의 바탕 순서
 Ⅴ. 소남의 가곡보
 Ⅵ. 결론
 참고문헌
 Abstract

키워드

저자

• 김우진 [ Kim, Woo Jin | 서울대학교 교수 ]

참고문헌

발행기관

간행물

표지보기 관심저널 등록

• 간행물명

  한국음악연구 [STUDIES IN KOREAN MUSIC]

• 간기

  반년간

• pISSN

  1975-4604

• 수록기간

  1975~2026

• 등재여부

  KCI 등재

• 십진분류

  KDC 679 DDC 780