Earticle

초록

영어

Yum, Jeongmin. “Breaking Up the Boundary of Stage: The Non-Representational Features in Krapp’s Last Tape.” Studies in English Language & Literature. 43.1 (2017): 105-124. Mimesis, the base principle of theatre since Aristotle, lost its ground in the age of modernism. Samuel Beckett, the best playwright in the twentieth century, tried to break existing theatre, subordinating representation system with Antonin Artaud and Luigi Pirandello. Throughout his writing life, Beckett searched for the possibility of non-representational theatre, rejecting realistic stage setting, conflicts among characters and logical plot. In particular, Krapp’s Last Tape was the last play that showed a leading character on the stage and was also located at the center of his change from representational play to non-representational play. Krapp’s Last Tape indicates various features defying the representational principle. This article aims to investigate the non-representational features of each dramatic element in Krapp’s Last Tape by first exploring the non-representational plot composed of the rhythm of movement and stillness. The article then analyzes the fragmented time and audiovisual images. In addition, it highlights the idea that Beckett’s non-representational play ironically represents the diversity of lives. (Chonbuk National University)

목차

Abstract
 I. 서론
 II. 본론
  2.1 비재현적 플롯: 배우 없애기
  2.2 조각난 시간들
  2.3 시청각적 이미지
 III. 결론
 Works Cited

키워드

저자

• 염정민 [ Yum, Jeongmin | 전북대학교 ]

참고문헌

발행기관

간행물

표지보기 관심저널 등록

• 간행물명

  영어영문학연구 [Studies on English Language & Literature]

• 간기

  계간

• pISSN

  1226-8682

• 수록기간

  1972~2020

• 십진분류

  KDC 840 DDC 820