Earticle

초록

영어

This paper focuses on Wittman's game he plays as an American Monkey King/trickster in Tripmaster Monkey: His Fake Book. The trickster who dwells on borders, at crossroads, and between worlds, prominently appears in Kingston's Tripmaster Monkey. Kingston, in Tripmaster Monkey, dis-rupts racial stereotypes and perceived boundaries, and embodies her vision of identity and benefits of a mixed cultural heritage by using the laughter, jokes, and outrage of the trickster. The novel's protagonist Wittman is a Berkeley beatnik and also a modern American incarnation of the Monkey King of Chinese legend. Wandering in and around San Francisco, negotiat-ing cultural borderlines, crusading against racism, Wittman interweaves Chinese mythic history and American romantic values as he works out his identity as a Chinese Americans man. As both clown and savior, Wittman the Monkey trickster gathers a new American community to participate in his play, which wages a war against racism and celebrates the community as a place of healing. Through Wittman's play and storytelling, Kingston examines contemporary cultural myths to criticize harmful stereotypes and negative representations of Chinese Americans.

목차

I
 II
 III
 IV
 인용 문헌
 ABSTRACT

저자

• 정은숙 [ Jeong Eun-sook | 중앙대학교 ]

참고문헌

발행기관

간행물

표지보기 관심저널 등록

• 간행물명

  영어영문학연구 [The Jungang Journal of English Language and Literature]

• 간기

  계간

• pISSN

  1598-3293

• 수록기간

  1968~2025

• 등재여부

  KCI 등재

• 십진분류

  KDC 840 DDC 810