Earticle

초록

영어

“Dissociation of sensibility” or “unification of sensibility” indicates T. S. Eliot’s poetic ideal. “Dissociation of sensibility” and its opposite poetic state, “unification of sensibility” are two poetic concepts revealing Eliot’s critical or poetical attitude. Like the two sides of a coin, they can’t be separately discussed. Eliot used the term “dissociation of sensibility” which means the separation of thought from feeling (/sense) to characterize the poetic situation in British literature since the seventeenth century. This critical attitude of Eliot’s suggests that Eliot’s poetic ideal was the representation of “unification of sensibility” in his major poems. “Unification of sensibility” reflects Eliot’s monistic attitude, which means his disapproval of the dualistic perception of our experiences. It is noteworthy that this monistic attitude reveals the same epistemological frame as F. H. Bradley’s monistic perception of experiences. In particular, Bradley’s “immediate experience” or “feeling” in which “as yet neither any subject nor object exists” can be a key word in our understanding of the influence of his philosophy on Eliot’s poetics, because Eliot’s “unification of sensibility” and Bradley’s “immediate experience” result from the same monistic epistemology. In a respect, Eliot’s “unification of sensibility” seems to be a poetic adaptation from Bradley’s “immediate experience."

목차

I. 들어가는 말
 II. “감수성의 통합"에 나타난 인식 틀
 III. F. H. 브래들리의 일원론적 인식 틀
 IV. 엘리엇의 시에 나타난 “갑수성의 통합"
 V. 맺는 말
 Works Cited
 ABSTRAC

저자

• 이문재 [ Lee Mun-Jae | 충북대학교 ]

참고문헌

발행기관

간행물

표지보기 관심저널 등록

• 간행물명

  영어영문학연구 [The Jungang Journal of English Language and Literature]

• 간기

  계간

• pISSN

  1598-3293

• 수록기간

  1968~2025

• 등재여부

  KCI 등재

• 십진분류

  KDC 840 DDC 810